Bobby Hackett Plays The Music Of Bert Kaempfert - 1963

01 Danke Schoen (Kaempfert) 3.10
02 Wonderland By Night (Kaempfert) 3.08
03 A Swingin´ Safari (Kaempfert) 2.29
04 The Bass Walks (Kaempfert) 3.29
05 Mexican Market Day (Kaempfert) 2.38
06 Now And Forever (Kaempfert) 2.40
07 Bert´s Tune (Kaempfert) 2.55
08 Afrikaan Beat (Kaempfert) 2.36
09 Sunday In Madrid (Kaempfert) 3.17
10 Only Those In Love (Kaempfert) 2.44
11 Take Me (Kaempfert) 2.58
12 The Happy Trumpeter (Kaempfert) 2.38

Arranged And Conducted By Dick Hyman

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Thanks To brownweb - MUSICA DESDE LAS ANTIPODAS

Thad Jones & Mel Lewis Jazz Orchestra - Central Park North - 1969

01 Tow Away Zone (Jones) 4:30
02 Quietude (Jones) 4:06
03 Jive Samba (Adderley) 8:54
04 The Groove Merchant (Jones, Richardson) 5:12
05 Big Dipper (Jones) 5:54
06 Central Park North (Jones) 9:15

Recorded at A&R Studios, New York, on June 17 & 18, 1969

Thad Jones - Arranger, Flugelhorn
Mel Lewis - Drums
Eddie Daniels - Clarinet and Tenor Sax
Joe Farrell - Clarinet, Sax (Soprano), Sax (Tenor)
Jerome Richardson - Clarinet, Piccolo, Sax (Alto), Sax (Soprano)
Joe Temperley - Clarinet (Bass), Sax (Baritone)
Daniel Moore, Jimmy Nottingham, Richard Gene Williams, Snooky Young - Trumpet
Benny Powell, Eddie Bert, Jimmy Knepper - Trombone
Cliff Heather - Trombone (Bass)
Sir Roland Hanna - Piano
Sam Leigh Brown, Barry Galbraith, Sam Herman - Guitar
Richard Anthony Davis - Bass

:: Central Park North ::

Thanks To brownweb - MUSICA DESDE LAS ANTIPODAS

Thad Jones & Mel Lewis Orchestra - Basle - 1969

01 Second Race (Jones) 10:39
02 Don't Ever Leave Me (Jones) 4:16
03 The Waltz You Swang for Me (Jones) 9:11
04 Ah' That's Freedom (Jones) 10:54
05 Come Sunday (Ellington) 4:42
06 Don't Get Sassy (Jones) 11:34
07 Bible Story (Hanna) 6:30
08 Groove Merchant (Jones, Richardson) 7:54

Recorded at Basle, on September 1969

Thad Jones - trumpet, flugelhorn, arranger
Snooky Young, Al Porcino, Richard Williams, Danny Moore - trumpets
Eddie Bert, Jimmy Knepper, Cliff Heather, Ashley Fannell - trombones
Jerome Richardson, Jerry Dodgion, Joe Henderson, Eddie Daniels, Pepper Adams - saxophones
Roland Hanna - piano
Richard Davis - bass
Mel Lewis - drums

part 1 ~ part 2


Thanks To brownweb - MUSICA DESDE LAS ANTIPODAS

Lee Morgan & Thad Jones - Minor Strain - 1960

01. Suspended Sentence (Shorter) 5:22
02. Minor Strain (Timmons) 6:23
03. A Bid For Sid (Morgan) 4:28

04. Subtle Rebuttal (alt take) (Jones) 3:56
05. Subtle Rebuttal (Jones) 4:02
06. Tip Toe (Jones) 3:35
07. H and T Blues (Jones) 9:56
08. Friday The 13th (Jones) 6:55

Tracks 1-3 recorded in New York, on July, 1960

Lee Morgan - Trumpet
Wayne Shorter - Sax (Tenor)
Bobby - Piano
Jimmy Rowser - Bass
Art Taylor - Drums

Tracks 4-8 recorded at Capitol Studios, New York, on May 12, 1960

Thad Jones - Trumpet
Al Grey - Trombone
Hank Jones - Piano
Frank Wess - Flute, Sax (Tenor)
Billy Mitchell - Sax (Tenor)
Richard Davis - Bass
Osie Johnson - Drums

:: Minor Strain ::


Thanks To brownweb - MUSICA DESDE LAS ANTIPODAS

Thad Jones . Olio . 1957

01. Potpourri (Waldron) 6:04
02. Blues Without Woe (Charles) 7:58
03. Touché (Waldron) 6:25
04. Dakar (Charles) 6:58
05. Embraceable You (Gershwin, Gershwin) 4:17
06. Hello Frisco (Charles) 6:23

Recorded at Van Gelder Studio, Hackensack (New Jersey) on February 16, 1957

Thad Jones (trumpet)
Mal Waldron (piano)
Frank Wess (tenor sax, flute on tracks 1, 3, 4)
Teddy Charles (vibraphone)
Doug Watkins (bass)
Elvin Jones (drums)

:: Olio ::


Thanks To brownweb - MUSICA DESDE LAS ANTIPODAS

Thad Jones . Mad Thad . 1957

01 Whisper Not (Golson) 5:38
02 Quiet Sip (Jones) 9:04
03 Ballad Medley: Flamingo/If You Were Mine/I'm Through With ... (Gershwin, Anderson, Gershwin, Grouya, Kahn, Mercer, Malneck, Livingston) 7:26
04 Cat Meets Chick (Feather, Feather) 5:26
05 Bird Song (Jones) 8:25
06 Jumping for Jane (Feather, Feather) 5:35
07 Mad Thad (Q. Jones) 4:40

Recorded in New York between December 24, 1956 and January 6, 1957

Thad Jones (Cornet, Trumpet, Flugelhorn)
Henry Coker (Trombone)
Frank Wess, Frank Foster (Sax Tenor Saxophone)
Frank Wess (Flute)
Tommy Flanagan, Jimmy Jones (Piano)
Eddie Jones, Doug Watkins (Bass)
Jo Jones, Elvin Jones (Drums)

:: Mad Thad ::


Thanks To brownweb - MUSICA DESDE LAS ANTIPODAS

Thad Jones

Thaddeus Joseph "Thad" Jones
(Pontiac, Michigan, March 28, 1923 - August 21, 1986, Copenhague)

Wynton Marsalis – Black Codes (From The Underground) 1985

Tracklist:

1. Black Codes

2. For Wee Folks

3. Delfeayo’s Dilemma

4. Phryzzinian Man

5. Aural Oasis

6. Dhambers Of Tain

7. Blues

Personnel:

- Wynton Marsalis (trumpet)
- Branford Marsalis (tenor saxophone)
- Kenny Kirkland (piano)
- Ron Carter, Charnett Moffett (bass)

- Jeff “Tain” Watts (drums).

Download

Review:
This is probably the best Wynton Marsalis recording from his Miles Davis period. With his brother Branford (who doubles here on tenor and soprano) often closely emulating Wayne Shorter and the rhythm section (pianist Kenny Kirkland, bassist Charnett Moffett, and drummer Jeff Watts) sounding a bit like the famous Herbie Hancock-Ron Carter-Tony Williams trio, Wynton is heard at the head of what was essentially an updated version of the mid- to late-’60s Miles Davis Quintet (despite Stanley Crouch’s pronouncements in his typically absurd liner notes about Marsalis’ individuality). The music is brilliantly played and displays what the “Young Lions” movement was really about: young musicians choosing to explore acoustic jazz and to extend the innovations of the pre-fusion modern mainstream style. Marsalis would develop his own sound a few years later, but even at age 23 he had few close competitors.
by Scott Yanow (allmusic.com)

Old and New Dreams - 1977

Don Cherry, Dewey Redman, Charlie Haden, Eddie Blackwell - Old and New Dreams
FLAC (EAC rip) | separate tracks | Log + CUE | full scans | ~271 MB incl. 3% recovery (2 files)
Label: Black Saint (120 013-2) | Year 1977

The Music:
01. Handwoven (Ornette Coleman) 06:53
02. Dewey's Tune (Dewey Redman) 05:52
03. Chairman Mao (Charlie Haden) 07:33
04. Next To The Quiet Stream (Don Cherry) 06:42
05. Augmented (Don Cherry) 10:05
06. Old And New Dreams (Dewey Redman) 06:26
Total Time: 43:31

Don Cherry - pocket trumpet
Dewey Redman - tenor sax and musette (*)
Charlie Haden - bass
Eddie Blackwell - drums and gong

(*) Note on discogs.com:
The instrument Suona (Han Chinese oboe, also called Laba) played by Dewey Redman is credited "Musette" on this release.

Recorded in October 1976 in New York City (USA) at Generation Sounds Studios

Release Date: 1977 December 28

Hotfile
Part 1 | Part 2 | Part 3

Megaupload
Part 1 | Part 2 | Part 3

Fileshare
Part 1 | Part 2 | Part 3

They released two records on the German jazz label ECM: a self-titled release in 1979 and Playing, recorded live, a year later. These discs were bookended by a pair of discs on the Italian Black Saint label: a studio record from 1976 (also self-titled) and 1987's One For Blackwell, capturing the quartet's final concert at a birthday celebration for Blackwell.

Haden is the only surviving member of the quartet, Blackwell having died in 1992, Cherry in 1995 and Redman in 2006.
Source: Wikipedia

Thanks to GatoMedio

Old and New Dreams - A Tribute To Blackwell - 1987

Old and New Dreams - A Tribute to Blackwell 1987
FLAC (EAC rip) | separate tracks | Log + CUE | full scans | ~280 MB incl. 3 % recovery (2 files)
Label: Black Saint (120 113-2)

The Music:
01 Happy House - 9:15 (Ornette Coleman)
02 Law Years - 9:00 (Ornette Coleman)
03 Guinea - 8:10 (Don Cherry) *
04 Dewey's Tune - 11:25 (Dewey Redman)
05 Street Woman - 9:30 (Ornette Coleman)

The Players:
Don Cherry - Trumpet
Dewey Redman - Tenor saxophone
Charlie Haden - Bass
Ed Blackwell - Drums

* I found the following note on discogs.com against track 3: Issues mistakenly list Guinea as "Togo". In fact, after listening to the ECM album (ecm1154) that contains both Ed Blackwell's "Togo" and Don Cherry's "Guinea," I can confirm that this is "Guinea" and not "Togo" - as is stated on the cover scans that I'm including.

Recorded November 7, 1987 : Ed Blackwell Festival, Atlanta, GA
Label: Black Saint

Hotfile
Part 1 | Part 2

Don Cherry . Organic Music Society . 1972

Album cover and painting by Moki.

Don Cherry . Organic Music Society . 1972 . double LP
Label: Caprice CAP 2001 - RIKS DLP1, Swedenmp3 @ 192 kbps | jpg of front cover | ~108 MB

The Music:
      A
1. North Brazilian Ceremonial Hymn - (N.Vasconcelos) - 12:30 Mono
2. Elixir & Manusha Raga Kamboji - (D.Cherry) - (Hans Isgren) - 8:30 Stereo
      B
3. Relativity Suite Part One - (D.Cherry) - 6:53 Stereo
4. Relativity Suite Part Two - (D.Cherry) - 12:02 Stereo
      C
5. Terry's Tune - (T.Riley), Hope - (D.Cherry)
  - The Creator Has A Master Plan - (P.Sanders/L.Thomas)
  - Sidharta - (D.Cherry)
  - Utopia & Visions - (D.Cherry) - 20:30 Stereo
     D
6. Bra Joe From Kilimanjaro & Terry's Tune - (D.Brand) - (T.Riley) - 6:34 Mono
7. Resa - (D.Cherry) - 7:43 Mono

The Players:
Don Cherry. trumpet, piano, harmonium, vocals
Maffy Falay. muted trumpet
Tommy Goldman. flute
Tommy Koverhult. flute
Tage Siven. bass
Temiz Okay. drums
Youth Orchestra
Mok Cherry. tamboura, vocal
Nana Vasconcelos. berimbau, percussion
Helen Eggert. tamboura, vocal
Hans Isgren. sarangi
Bengt Berger. drums, percussion, tabla
H'suan. percussion, trumpet
Chris Bothen. doussn' gouni

The Record:
Recorded on various dates in 1971 & 1972, in Stockholm and Copenhagen on a hippie commune organic farm. Equal parts free jazz, freek folk, and manson family jams....

Documentary recordings made 1971-1972 by Göran Freese, Rita Knox, Jan Bruér.

Only the recordings from August 14th, 1972 (Elixir-Relativity Suite) were made in a recording studio. The rest of the material consists of documentation recordings made on portable machines, some of them carried out under awkward acoustic conditions.

: Hotfile : : Rapidshare :
Read a Review Here

Don Cherry

Don Cherry . 1975 . Brown Rice

Don Cherry: trumpet, electric piano, voice
Charlie Haden: bass
Billy Higgins: drums
Frank Lowe: tenor sax
Ricky Cherry: electric & acoustic piano
Bunchie Fox: electric bongos
Verna Gillis: voice
Moki: tamboura
Hakim Jamil: bass

1 - Brown Rice 5:14
2 - Malkauns 13:59
3 - Chenrezig 12:50 accomp. text "Avalokitesvara om mani padme hum - The jewel in the lotus"
4 - Degi-Degi 7:05 accompanying text "Magic doll from damako"

(1, 2, 4) - Recorded at the Basement Recording Studios, New York. 1975
(3) - Recorded at Grog Kill, Woodstock, New York. 1975

A & M Horizon SP 717

Toma :: vai buscar
(Go) Get It !!!

Later releases on CD were titled "Brown Rice by Don Cherry"

Don Cherry

When people believe in boundaries, they become part of them.

Don Cherry - Where is Brooklyn? (1966)

Don Cherry - cornet, composer

Pharoah Sanders - tenor saxophone, piccolo flute

Henry Grimes - bass

Ed Blackwell - drums



1. Awake Nu (6:53)

2. Taste Maker (6:46)

3. The Thing (5:47)

4. There Is The Bomb (4:49)

5. Unite (17:47)


:: Where Is Brooklyn ::

Nat Adderley - In The Bag (1962)

This rip is from the early 90s CD with extra tracks, sadly this is no longer in catalogue.

Riverside JLP 75

Nat Adderley (cnt); Cannonball Adderley (alt); Nat Perrilliat (ten);
Ellis Marsalis (p); Sam Jones (b); James Black (d).

New Orleans. June, 1962.

01 - In the Bag
02 - Sister Wilson
03 - R.S.V.P.
04 - Low Brown
05 - Mozart-In'
06 - New Arrival
07 - Chatterbox
08 - The Popeye
09 - The Gospel Truth

EAC.flac, cue, log, scans
part 1 - part 2

Thanks to The KingCake Crypt

This is an unusual album, in that it presents the results of what is probably the first modern jazz record date to take place in New Orleans. The Adderleys and Sam Jones are reinforced by three excellent young musicians, Nat Perrilliat (tenor), Ellis Marsalis (piano) and James Black— the latter being an outstanding drummer, influenced by Elvin Jones more than anyone else. Even if the other two newcomers are less than outstanding, they illustrate something I have long suspected —that there are almost as many good musicians (if not brilliant ones) who never see the inside of a recording studio as there are modest talents who are constantly thrust upon us.
Nat Adderley is in fine form on this record, playing inventive solos on most tracks. As might be expected, most of the tracks are blues of one sort or another, several written by the locals. An exception is R.S.V.P., a pleasing ballad feature for Nat. Adderley addicts will want this, of course, and others are advised to hear it for James Black.
~ Michael Shera Review: Jazz Journal Vol 16 No 12, December 1963

Dave Douglas : Strange Liberation 2003

1. A Single Sky
2. Strange Liberation
3. Skeeter-ism
4. Just Say This
5. Seventeen
6. Mountains From The Train
7. Rock of Billy
8. The Frisell Dream
9. Passing Through
10. The Jones
11. Catalyst

Dave Douglas on trumpet
with Uri Caine on Fender Rhodes piano, drummer Clarence Penn, bassist James Genus,
and bass clarinetist-saxophonist Chris Potter.

@320KBPS
:: Strange Liberation ::

Password : MOODSWINGS

Thanks to MOODSWINGS

Dave Douglas Quintet Live at the Jazz Standard 2006

320 KBPS

Live at the Jazz Standard showcases trumpeter Dave Douglas — on cornet this time! — and his quintet performing Live at the NYC club the Jazz Standard on various nights in December of 2006. Joining Douglas here are tenor saxophonist Donny McCaslin, Fender Rhodes specialist Uri Caine, bassist James Genus and drummer Clarence Penn. Originally released as complete download-only sets on Douglas' own Greenleaf Label website, here Douglas has pruned the sets down to 18 cuts over two discs. Furthermore, he's also focused the album on original compositions never before released on album. In that sense, fans of Douglas' past work with this ensemble on such studio efforts as 2002's Infinite and 2006's Meaning and Mystery will surely dig this stuff as it essentially plays as an all new recording and not just a live documentation of the quintet. In fact, disc two focuses on compositions Douglas wrote while delving into the iconic work of innovative pocket-trumpeter Don Cherry and were initially intended for inclusion on Meaning and Mystery. This is soulful, visceral, moody and propulsive post-bop that often leans heavily toward late-'60s and '70s modal and free jazz.

Disc 1
1. Earmarks
2. Tree and Shrub
3. War Room
4. Indian Point
5. Cornet Is a Fickle Friend
6. Next Phase (For Thomas)
7. October Surprise
8. Seth Thomas

Disc 2
1. Meaning and Mystery
2. Navigations
3. Redemption
4. Little Penn
5. Living Streams
6. Leaving Autumn
7. Magic Triangle
8. Single Sky

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password: MOODSWINGS

thnks to MOODSWINGS

Lawrence Brown - Slide Trombone (1955)

A1 Rose Of The Rio Grande (Edgar Leslie, Harry Warren, Rose Gorman)
A2 Caravan (Duke Ellington, Juan Tizol)
A3 Down The Street, 'Round The Corner Blues (Lawrence Brown, Leroy Lovett)
A4 Where Or When (Richard Rodgers, Lorenz Hart)
A5 Just One Of Those Things (Cole Porter)

B1 Ill Wind (Harold Arlen, Ted Koehler)
B2 You Took Advantage Of Me (Richard Rodgers, Lorenz Hart)
B3 Blues For Duke (Lawrence Brown)
B4 Just As Though You Were Here (Eddie De Lange, John Benson Brooks)
B5 Autumn In New York, (Vernon Duke)

Tracks 1-4 Recorded January 26, 1955.
Lawrence Brown, trombone; Sam 'The Man' Taylor, tenor sax; Leroy Lovett, piano; Lloyd Trotman, bass; Louie Bellson, drums
On track 3 add Lovett (vocal)

Tracks5-10 Recorded September 14, 1955(#6,7) & September 17, 1955(#5,8,9,10)
Lawrence Brown, trombone; Arthur Clarke, Al Cohn, tenor sax; Danny Bank, baritone sax; Ernie Royal, Phillip Sunkel, trumpet; Hank Jones, piano and celeste; Wendell Marshall, bass; Jo Jones, Drums

:: Slide Trombone ::

Biography by Scott Yanow (Allmusic Guide)
''One of the great swing trombonists, Lawrence Brown tends to be underrated because he spent so much of his career with Duke Ellington's Orchestra. Actually, Brown's initial solos with Ellington upset some of Duke's fans because it was feared that his virtuosity did not fit into a band where primitive effects and mutes were liberally utilized. But over time, Brown carved out his own place in the Ellington legacy.
Lawrence Brown learned piano, violin, and tuba before deciding to stick to the trombone. He recorded with Paul Howard's Quality Serenaders (1929-1930) and Louis Armstrong (with Les Hite's Orchestra in 1930) in Los Angeles before joining Ellington in 1932, staying until 1951 when he left to join Johnny Hodges' new small group. After 1955, Brown became a studio musician in New York, but then spent 1960-1970 back with Ellington (where he reluctantly had to play some solos with a plunger mute) before retiring. Although he only led two albums of his own (a 1955-1956 outing for Clef, 'Slide Trombone' and 1965's 'Inspired Abandon' for Impulse), Brown was well-featured on many recordings with Ellington through the years; "The Sheik of Araby" (1932) and "Rose of the Rio Grande" (1938) were favorites.''

I think this is a great album, but it's one of those that needs to grow on you. The more you hear it, the more you hear in it.

Thks to BRIANBRORA

Roy Eldridge and his Central Plaza Dixielanders - Swing Goes Dixie (1956)

Don't let the 'Dixie' in the title put you off (I know some jazzers stear clear of this branch of our music!). This is so well played and infectious that you just can't help but enjoy it, and there is so much more than your average New Orleans work-out contained within. These are master musicians, on top form, enjoying themselves. I love it!!

Roy Eldridge and his Central Plaza Dixielanders – ‘Swing Goes Dixie’

1. That’s A Plenty (Lew Pollack) 5.35
2. Royal Garden Blues (Clarence Williams-Spencer Williams) 6.14
3. The Jazz Me Blues (Tom Delaney) 4.41
4. Tin Roof Blues (George Brunies-Paul Joseph Mares-Ben Pollack-Joseph Leon Roppolo-Mel Stitzel) 7.32
5. Struttin’ With Some Barbecue (Louis Armstrong) 5.32
6. (What Did I Do To Be So) Black And Blue (Thomas ‘Fats’ Waller-Harry Brooks-Andy Razaf) 7.39
7. Bugle Call Rag (Billy Mayers-Jack Pettis-Elmer Schoebel) 5.08
8. Ja-Da (Bob Carleton) 4.37

Roy Eldridge, trumpet; Benny Morton, trombone; Eddie Barefield, clarinet; Dick Wellstood, piano; Walter Page, bass; Jo Jones, drums.

Produced by Norman Granz.
Recorded June 3rd, 1956 at Fine Sound Studio, New York City.
Original Issue on Verve Records (Down Home Series) MG V-1010 (1956)

:: Swing Goes Dixie ::

Thks to brianbrora

Bobby Hackett . Rendezvous 1956

Edited, at least, with 3 different front covers in three labels
(Capitol T719 in 1957, Regal R10649, MFP1046 in 1965)

01. You Are Too Beautiful (Rodgers, Hart) 3:02
02. Thank You For A Lovely Evening (McHugh, Fields) 2:36
03. Autumn Nocturne (Myrow, Gannon) 2:34
04. Cocktails For Two (Coslow, Johnston) 2:56
05. When I'm With You (Gordon, Revel) 3:06
06. We Kiss In A Shadow (Rodgers, Hammerstein) 3:05
07. Two Cigarettes In The Dark (Webster, Pollack) 2:33
08. The Very Thought Of You (Noble) 2:32
09. The Way You Look Tonight (Fields, Kern) 2:30
10. Moonlight Becomes You (Van Heusen, Burke) 3:12
11. Love Me (Young, Washington) 3:04
12. One Kiss (Hammerstein, Romberg) 2:24

Recorded in New York, on January 23 (track 4), February 13 (tracks 3, 6, 9, 11), February 15 (tracks 2, 8, 12) and April 3 (tracks 1, 5, 7, 10), 1956

Bobby Hackett (cornet) with an unknown orchestra arranged and conducted by Glenn Osser

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Gracias a MUSICA DESDE LAS ANTIPODAS

Bobby Hackett

Robert Leo (Bobby) Hackett
(Providence, Rhode Island, January 31, 1915 - June 7, 1976, Chatham - Massachussets)

The portrait above was taken at one of the Sunday afternoon jam sessions at Jimmy Ryan’s, January 19, 1941.
Brad Gowans (playing his “valide,” a combination slide/valve trombone of his own manufacture) with Bobby Hackett and Pee Wee Russell, photo by Charles Peterson

Bobby Hackett & Jack Teagarden - Coast Concert & Jazz Ultimate (1955/1957)

A great pair of Albums, made a couple of years apart, both featuring Bobby Hackett and Jack Teargarden as well as a host of top flight Jazz/Dixieland players. I said in a previous post not to be put off by the Dixieland tag, and I say the same here.
Once you get your teeth into this it's easy to hear the sheer quality of both the music and the musicianship.

Coast Concert - Bobby Hackett & his Jazz Band

1. I Want A Big Butter And Egg Man (Venable-Armstrong) 3.11
2. New Orleans (Hoagy Carmichael) 2.53
3. That's A Plenty (Pollack-Gilbert) 4.28
4. Basin Street Blues (Spencer Williams) 4.38
5. Muskrat Ramble (Edward Ory) 2.59
6. I Guess I'll Have To Change My Plan (Schwartz-Dietz) 3.20
7. Royal Garden Blues (Spencer & Clarence Williams) 4.52
8. Struttin' With Some Barbecue (Armstrong-Raye) 3.00
9. Fidgety Feet (La Rocca-Shields) 3.50

Bobby Hackett (trumpet); Matty Matlock (clarinet); Jack Teagarden (trombone & vocal); Abe Lincoln (trombone);
Nappy Lamare (guitar); Dick Owens (piano); Phil Stephens (bass, tuba); Nick Fatool (drums).

Recorded in L.A., October 18-19 1955.
(Original Issue Capitol Records T692).

Jazz Ultimate - Bobby Hackett & Jack Teagarden

1. Indiana (Back Home In Indiana) (Hanley-MacDonald) 2.58
2. Oh Baby (Murphy) 2.29
3. It's Wonderful (Smith-Wells-Parish) 3.59
4. I've Found A New Baby (Palmer-Williams) 2.43
5. Sunday (Miller-Krueger-Cohn-Stein) 2.28
6. Baby Won't You Please Come Home (Warfield-Williams) 3.40
7. Everybody Loves My Baby (Williams-Palmer) 2.27
8. Mama's Gone, Good Bye (Bocage-Piron) 2.45
9. Way Down Yonder In New Orleans (Creamer-Layton) 3.31
10. 55th & Broadway (Teagarden-Hackett) 4.40
11. 'S Wonderful (George & Ira Gershwin) 3.43

Bobby Hackett (trumpet); Jack Teagarden (trombone); Peanuts Hucko (clarinet, tenor sax); Ernie Caceres (clarinet, baritone sax);
Billy Bauer (guitar); Gene Schroeder (piano); Jack Lesberg (bass); Buzzy Drootin (drums).

Recorded in N.Y.C. September 16-17, 1957.
(Original Issue Capitol Records T933).

Download

William Gottlieb

Jack Teagarden, Dick Carey, Louis Armstrong, Bobby Hackett, Peanuts Hucko,
Bob Haggart, and Sid Catlett, Tow Hall, New York, N.Y., ca. July 1947
(William P. Gottlieb 00191)

Vic Dickenson Septet (1953/54)

This is a great Album by Vic Dickenson, another of those musicians who recorded with numerous top stars during his career. You don't see that many dates where he is leader, but the two sessions included here are absolutely top class. Everyone gets plenty of solo space, and they certainly make good use of it. Once again, highly recommended.

1. Russian Lullaby (Irving Berlin) 9:21
2. Jeepers Creepers (Johnny Mercer, Harry Warren) 12:06
3. I Cover the Waterfront (Johnny Green, Edward Heyman) 8:28
4. Sir Charles at Home (Sir Charles Thompson) 4:43
5. Keepin' Out of Mischief Now (Thomas 'Fats' Waller, Andy Razaf) 5:53

Tracks 1-5 recorded December 29, 1953, New York City
Vic Dickenson, trombone; Edmond Hall, clarinet; Ruby Braff, trumpet; Steve Jordan, guitar;
Walter Page, bass; Sir Charles Thompson, piano; Les Erskine, drums.

6. When You And I Were Young, Maggie (George W. Johnson, James Austin Butterfield) 4:51
7. You Brought A New Kind Of Love To Me (Irving Kahal, Pierre Norman Connor, Sammy Fain) 5:15
8. Everybody Loves My Baby (Jack Palmer, Spencer Williams) 9:33
9. Nice Work If You Can Get It (George & Ira Gershwin) 4:43
10. Old Fashioned Love (Cecil Mack, James P. Johnson) 9:34
11. Suspension Blues (Traditional, arr.Dickenson) 8:37
12. Runnin' Wild (James P. Johnson) 5:31

Tracks 6-12 recorded November 29, 1954, New York City
Vic Dickenson, trombone; Edmond Hall, clarinet; Shad Collins, trumpet; Steve Jordan, guitar;
Walter Page, bass; Sir Charles Thompson, piano; Jo Jones, drums.
Tracks 8 & 11 also feature Ruby Braff, trumpet and guest star.

Originally issued on Vanguard Records as four separate ten-inch LPs, ''Vic Dickenson Septet'', vols 1, 2, 3 & 4.

Part 1 (sides 1-5) Vol.1 - Vol.2
Part 2 (sides 6-12) Vol.3 - Vol.4

Jo Jones - The Jo Jones Special (1955)

One of the few sessions on which Jo Jones, Basie's old drummer, appears as leader of the combo.
An outstanding small group jazz session.

1. Shoe Shine Boy (take 1) (Saul Chaplin, Sammy Cahn) 5:53
2. Lover Man (Jimmy Davis, Roger Ramirez, Jimmy Sherman) 6:31
3. Georgia Mae (Jo Jones) 4:48
4. Caravan (Jaun Tizol, Duke Ellington, Irving Mills) 3:59
5. Lincoln Heights (Jo Jones, Lucky Thompson) 7:47
6. Embraceable You (George & Ira Gershwin) 6:42
7. Shoe Shine Boy (take 2) (Saul Chaplin, Sammy Cahn) 5:17

Emmet Berry, (trumpet); Benny Green, (trombone); Lucky Thompson, (tenor sax); Nat Piece, (piano except on ''Shoe Shine Boy'');
Count Basie, (piano on ''Shoe Shine Boy''); Freddie Green, (guitar); Walter Page, (bass); Jo Jones, (drums).

on ''Caravan'';
Lawrence Brown, (trombone) replaces Benny Green;
Rudy Powell, (alto sax) replaces Lucky Thompson;
Pete Johnson, (piano) replaces Nat Pierce

Originally issued on Vanguard Records LP VRS 8503 (1955)

:: The Jo Jones Special ::

Bob Brookmeyer - Brookmeyer (1957)

1. Oh, Jane Snavely (B Brookmeyer) 3:10
2. Nature Boy (Eden, Habez) 7:06
3. Just You, Just Me (Greer, Klages) 2:42
4. I'm Old Fashioned (J Kern, J Mercer) 2:54
5. Gone Latin (B Brookmeyer) 3:01
6. Zing Went The Strings Of My Heart (J F Hanley) 6:28
7. Big City Life (B Brookmeyer) 4:09
8. Confusion Blues (B Brookmeyer) 4:15
9. Open Country (B Brookmeyer) 6:09

Tracks 1,3,9.
Al Derisi, Joe Ferrante Bernie Glow, Louis Oles (trumpets); Bobby Brookmeyer (valve trombone);
Al Cohn, Al Epstein, Eddie Wasserman (tenor sax); Sol Schlinger (baritone sax);
Hank Jones (piano); Buddy Jones (bass); Osie Johnson (drums).
Recorded at Webster Hall, NYC, September 19, 1956

Tracks 2, 4, 7.
Bernie Glow, Nick Travis (trumpets); Bobby Brookmeyer (valve trombone, piano);
Al Cohn (clarinet, alto sax); Al Epstein (baritone sax);
Joe Singer (french horn); Don Butterfield (tuba);
Milt Hinton (bass); Osie Johnson (drums).
Recorded at Webster Hall, NYC, October 9, 1956.

Tracks 5,6,8.
Nick Travis (trumpet); Bobby Brookmeyer (valve trombone);
Gene Quill (alto sax); Al Cohn (tenor sax); Sol Schlinger (baritone sax);
Hank Jones (piano); Milt Hinton (bass); Osie Johnson (drums).
Recorded at Webster Hall, NYC, October 15, 1956.

Originally issued on Vik Records LP LX-1071. (1957) (via RCA Records).

:: Brookmeyer ::

Ace writer, arranger, sometimes piano player, and above all Valve Trombone player Bob Brookmeyer is featured here on three sessions from 1956. Well supported by a host of top names, the results speak for themselves. Excellent.

This LP, originally made for the Vik label (RCA), features three distinctly different groups. The big band has a ball with the leader's upbeat "Oh, Jane Snavely" and one of his best known works, the snappy "Open Country" (which turned up on more than a few of Gerry Mulligan's albums), as well as a quick take of the standard "Just You, Just Me." A smaller group with three saxes (Gene Quill, Al Cohn, and Sol Schlinger) and trumpeter Nick Travis covers the old chestnut "Zing! Went the Strings of My Heart" and a pair of Brookmeyer's songs. Another medium-size band with only one sax player (Al Cohn, who doubles on clarinet) plus French horns, tuba, baritone, and English horn conjure up an unusual approach to "Nature Boy," while Brookmeyer switches to piano for his reflective ballad "Big City Life." Brookmeyer's fascinating arrangements and the excellent musicianship throughout all three sessions make this an essential acquisition.
Review by Ken Dryden (allmusic guide)

Jam Session One - Apple Jam (1953)

A typical Norman Granz produced all star jam session, the sort that these guys seemed to toss off without the blink of an eye!
Great fun and well worth a listen...

1 Apple Jam (the Band) (11:41)
2 Oh! Lady, Be Good (G & I Gershwin) (19:42)
3 Blues for the Count (Basie-Peterson) (15:35)
4 Ballad Medley (13:07)
- Indian Summer (Dubin-Herbert)
- Willow Weep for Me (Ronell)
- If I Had You (Campbell-Connelly-Crosby)
- A Ghost Of A Chance (Young-Crosby)
- Love Walked In (G& I Gershwin)
- Sophisticated Lady (Ellington-Mills)
- Nancy (Hausen-Silvers)
- I Hadn't Anyone Till You (Noble)

Harry ''Sweets'' Edison, (trumpet); Benny Carter, Willie Smith, (alto sax)
Buddy DeFranco, (clarinet); Wardell Gray, Stan Getz, (tenor sax)
Count Basie, (piano on 1 & 2. organ on 3); Arnold Ross, (piano on 3 & 4)
Freddie Green, (guitar); John Simmons, (bass); Buddy Rich, (drums).

Recoded Hollywood, August 3rd, 1953
Produced by Norman Granz (for Clef Records).

.: Jam Session - Apple Jam :.

Jam Session Two - Let's Split (1953)

1. Jamming for Clef (the Band) 13:43
2. Rose Room (Hickman-Williams) 22:43
3. Tenderly (Gross-Lawrence) 22:28
4. Let's Split (Jones-Shad) 16:35

Tracks 1&2:
Roy Eldridge, (trumpet); Johnny Hodges, (alto sax); Illinois Jacquet, Flip Phillips, (tenor sax);
Lionel Hampton, (vibes); Oscar Peterson, (piano); Ray Brown, (bass); Buddy Rich, (drums).

New York, September 2nd, 1953.
Produced by Norman Granz. (for Clef Records)

Tracks 3&4:
Joe Newman, (trumpet); Bennie Green, (trombome);
Paul Quiniechette, Frank Foster, (tenor sax);
Hank Jones, (piano); Eddie Jones, (bass); Kenny Clarke, (drums).

New York, October 10th, 1953.
Probably Produeced by Milt Gabler. (for Decca Records)

:: Jam Session - Let's Split ::

Dizzy Gillespie – It’s My Way (1969)

Dizzy Gillespie : trumpet
Jerome Richardson : sax baritone Saxophone, flute and piccolo
Joe De Angelis, Don Corrado, Paul Ingraham : franch horn

Billy Butler: electric guitar
Paul Griffin: piano

Bob Bushnell : fender bass
Joe Marshall : drums
Paul Fein : tympani

Tracklist:
01. Galveston
02. This Girl’s In Love With You
03. Games People Play
04. Magic Tree

05. Whatever Possess’d Me

06. Aquarius / Let The Sunshine In (Medley)

07. Besame Mucho
08. I’m Gonna Sit Right Down And Write Myself A Letter

09. Exotica

10. Birk’s Works

.: It’s My Way :.

Jazz Contrasts : Kenny Dorham 1957

Kenny Dorham - Jazz Contrasts (1957) {2007 Keepnews Collection}
EAC rip (secure mode) | FLAC+CUE+LOG -> 202 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 300 dpi (jpg) -> 28 Mb
© 2007 Concord / Riverside | RCD-30132-2 | 24-bit Remastering

Dorham’s lyrical trumpeting on ballads and uptempo tunes is showcased on his Riverside debut that also features tenor saxophonist Sonny Rollins, pianist Hank Jones, bassist Oscar Pettiford and drummer Max Roach. Keepnews says, “This is one of my favorite ‘blowing’ albums, ever.” He adds, “There are extremely few jazz trumpeters who reached prominence in the second half of the 20th century who should be ranked any higher than Kenny.” Six tunes from the original are remastered, including three with guest harp player Betty Glamman.

Tracklist
1. Falling In Love With Love 9:14
2. I'll Remember April 12:07
3. Larue 4:31
4. My Old Flame 5:25
5. But Beautiful 2:44
6. La Villa 7:02

LINEUP
Kenny Dorham - Trumpet, Arranger
Charles Davis - Sax (Baritone)
Buddy Enlow - Drums
Jimmy Garrison - Bass
Betty Glamann - Harp
Gigi Gryce - Arranger
Hank Jones - Piano
Steve Kuhn - Piano
Oscar Pettiford - Bass
Max Roach - Drums
Sonny Rollins - Saxophone, Sax (Tenor)
Butch Warren - Bass

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Clark Terry & Bob Brookmeyer - The Power Of Positive Swinging (1965)

Clark Terry - Flugelhorn & Trumpet
Bob Brookmeyer - Trombone
Roger Kellaway - Piano
Bill Crow - Bass
Dave Bailey - Drums

1. Dancing On The Grave (Brookmeyer)
2. Battle Hymn Of The Republic (Arr. Brookmeyer/Terry)
3. The King (Count Basie)
4. Ode To A Flugelhorn (Terry)
5. Gal In Calico (Robin/Schwartz)
6. Green Stamps (Brookmeyer)
7. Hawg Jawz (Terry)
8. Simple Waltz (Terry)
9. Just An Old Manuscript (D.Redman/A.Razaf)

Part 1 .:. Part 2

Clark Terry - In Orbit (1958)

Clark Terry - In Orbit (1958)
Label: Riverside

Clark Terry (flh) Thelonious Monk (p) Sam Jones (b) Philly Joe Jones (d)

Tracklisting:
1. In Orbit 

2. One Foot In The Gutter 

3. Trust In Me 

4. Let's Cool One 

5. Pea-Eye 

6. Argentia 

7. Moonlight Fiesta 

8. buck's Business 

9. Very Near Blue 

10. Flugelin' The Blues

:: In Orbit ::

Russell Gunn - Mood Swings (2003)

Personnel

Russell Gunn - trumpet
Radam Schwartz - Hammond B-3 organ
Eric Johnson - guitar

Cecil Brooks III - drums

Tracklist

1. The Injuns (3:49)
2. Park Avenue Petite (6:30)
3. African Queen (7:37)
4. S. Crib (3:41)
5. Night and Day (6:32)
6. Mood Swings (6:48)
7. I'll Close My Eyes (6:57)
8. Blues to Lee (4:47)
9. Twice Around (4:08)

:: Mood Swings ::

Chris Botti - Midnight Without You

Chris Botti - Midnight Without You
MP3 | 320 Kbps | 108 MB

1 | The Steps Of Positano
2 | Midnight Without You
3 | Regroovable
4 | Never Gone
5 | The Way Home
6 | When Rain Falls
7 | Until Now
8 | Mr. Wah
9 | Forgiven
10 | Alone In The CityDownload

part 1 : part 2

pass: kold9.com