Mostrar mensagens com a etiqueta Freddie Hubbard. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Freddie Hubbard. Mostrar todas as mensagens

08 agosto 2011

Slide Hampton


Slide Hampton Octet
Slide !
Tracks
1 Newport (Hampton) 9:10
2 Autumn Leaves (Prévert, Kosma) 3:24
3 Althea (Hampton) 4:01
4 Jazz Corner (Hampton) 4:22
5 Sometimes I Feel Like a Motherless Child (tard.) 3:00
6 Go East, Young Man (Hampton) 5:54
7 Patricia (Hampton) 3:42
8 Woodyn' You (Gillespie) 4:10
9 There's A Boat Dat's Leavin' Soon For New York (Gershwin) 3:46
10 Bess, You Is My Woman Now (Gershwin) 3:47
11 Summertime (Gershwin)
12 I Love You Porgy (Gershwin) 4:32
13 It Ain't Necessarily So (G.Gershwin) / The Cloister (Dance Suite) (Hampton) 4:53
14 Part I Impression 4:39
15 Part II Obsession 4:12
16 Part III Expression 2:58
17 Part IV Possession 3:03


[# 1-8]- Recorded in New York City ; 1959

Freddie Hubbard, Booker Little - tp
Slide Hampton - tb, p & tbium
Bernard McKinney - b hrn
George Coleman - ts & cl
Jay Cameron - bs & b cl
George Tucker - b
Charlie Persip - dr [# 2 & 7]
Kenny Dennis - dr [# 3 & 8]
Pete LaRocca - dr [other]

[# 9-13] - Recorded in New York City ; 1961

Hobart Dotson & Willie Thomas- tp
Slide Hampton & Ben Jacobs-El - tb
George Coleman - ts
Jay Cameron - bs
Eddie Kahn - b
Lex Humphries - dr

Link
PW: melanchthon

Thanks to Melanchthon

The two octets Slide Hampton uses on this recording are quite similar in content but different in the way they execute this music, and much of it has to do with the distinct difference in personnel, and the two years that separate their recording dates. The first half deals with hard to post-bop modifications and the way the group approaches a bridge between the two, while the other end of the program concentrates on interpretations the music written by George Gershwin, plus an extended four-part suite written by Hampton. These dual sides of Slide Hampton combine to form a complete picture of what the emerging arranger and trombonist offered as a individualist aside from peers (Quincy Jones, J.J. Johnson, Lalo Schifrin, et. al.) who concentrated on movie soundtracks. The sessions from 1959 include Bernard McKinney on the baritone horn, three different drummers (Kenny Dennis, Charlie Persip, and Pete LaRoca) on select tracks, and fledgling young trumpeters Booker Little and Freddie Hubbard, even though Burt Collins does all of the lead brass work with Hampton. "Newport" starts the set in a modal walk, the intro initially similar to "You Don't Know What Love Is," then merges into a steady streaming freight train jam. Four other Hampton originals range from the Latin unison call outs and boogaloo/bop "Althea" (assumedly for tennis star Althea Gibson), the regal "Go East, Young Man" based on the changes of "Milestones," the much quieter post-bopper "Jazz Corner," and the simple straight bop of "Patricia." Standards "Autumn Leaves," "Sometimes I Feel Like a Motherless Child," and "Woody 'n' You" feature add-ons from the originals like chatty, choppy horns, more anthemic than normal hues, and a harder, abundant, modified line, respectively. A slightly less potent but still talented lineup from 1961 plays the five Gershwin pieces, with "There's a Boat Dat's Leavin' Soon for New York" again richly enhanced with a little rock & roll beat tossed in; "Summertime" is performed via high drama, and "It Ain't Necessarily So" is dressed in Latin trim. George Coleman is the lone artist besides Hampton and baritone saxophonist Jay Cameron on the entire date, and the always effervescent tenor saxophonist gets a laid-back solo during "I Loves You Porgy." The "dance" suite "The Cloister" is impressionistic within ballad, easy swing, slightly urgent waltz, and frantic bop segments, with some call and response at the end. Other than some drum fills from Lex Humphries, the piece is played to strict tolerances, and over some 14 minutes, is not as memorable as the other tracks, although hinting at future projects of Hampton's. As solid musically as any mainstream jazz fan might need, this is an important prelude to other large ensemble projects Slide Hampton assembled, and deserves repeat listenings to fully reap its rewards.
Michael G. Nastos - allmusic review

08 junho 2011

Freddie Hubbard & Woody Shaw – The Eternal Triangle 1988

Freddie Hubbard & Woody Shaw – The Eternal Triangle (1988) {Blue Note}

© 1988 Blue Note / Capitol | CDP 7 48017 2
EAC rip (secure mode) | FLAC+CUE+LOG -> 313 Mb | MP3 @320 -> 135 Mb
 | Full Artwork @ 300 dpi (jpg) -> 15 Mb



01. Down Under (Hubbard) - 7:35

02. The Eternal Triangle (Sonny Stitt) - 7:49

03. The Moontrane (Shaw) - 6:30

04. Calling Miss Khadija (Lee Morgan) - 6:40

05. Nostrand and Fulton (Hubbard) - 6:12
06. Tomorrow's Destiny (Shaw) - 7:06

07. São Paulo (Kenny Dorham) - 8:13

08. Reets and I (Benny Harris) - 6:40

Freddie Hubbard - trumpet, flugelhorn
Woody Shaw - trumpet
Kenny Garrett - alto saxophone, flute
Mulgrew Miller - piano
Ray Drummond - bass
Carl Allen - drums


“No one should consider the pairing of great jazz trumpeters Freddie Hubbard and Woody Shaw akin to oil and water. Both are on fire, defer to each other’s personalized sound, and swing hard with fervor, supported by an equally talented band featuring the always wondrous pianist Mulgrew Miller, bassist Ray Drummond, and drummer Carl Allen. The X factor is alto saxophonist Kenny Garrett, fresh off a stint with Miles Davis, who rounds out the overall sound and contributes a vital harmonic element to the double-edged swords Hubbard and Shaw wield. The eight tracks are balanced between originals by the co-leaders and compositions from their revered predecessors, all molded into straight-ahead, no-nonsense hard bop.
Shaw’s famous "Moontrane" and lesser-known "Tomorrow’s Destiny" are shining examples of how to modernize tried and true bop themes, the former a memorable hard-charging number with the brass players shadowing each other in full, rich dialog, the latter cleanly moving from inventive spatial modal tones to calypso and bebop with seamless acumen. Hubbard’s "Down Under" challenges the soul shuffle precept with some great harmonic content from the three horns, while the neglected "Nostrand and Fulton" moves from beats of four, five, and six with seeming magical cues that fool you until you listen a second or third time. Lee Morgan’s "Calling Miss Khadija" contains much spirit in a modal 6/8 framework; Kenny Dorham’s "São Paulo" uses flutter and trilled unison lines effectively with melodic long tones and tuneful notes within the spaces; and the straight Sonny Stitt bopper "The Eternal Triangle" simply steams ahead with Hubbard, Shaw, and Garrett like a passenger train. Little Benny Harris wrote the closer, "Reets and I," for Bud Powell, and on this session the band does nothing to diminish its impact. What Miller brings to this group cannot be discounted, a presence in terms of support, but also one who is clearly having a ball inventing chords and substituting his own harmonic flourishes, clearly inspired by his cohorts. This group toured sporadically, giving live audiences a stretched-out taste of what these two brilliant musicians were capable of dishing out in their later — but still formative — years. You’d be hard-pressed to find another pairing of great jazz trumpeters that made music as spectacular as is heard on this essential recording, perfect or fans, students, or those who simply love a hard-swinging, boldly played brass horn or two.”

A Nice Picture For Your Exhibition - Freddie Hubbard

Freddie Hubbard.jpg

05 junho 2011

The J. J. Johnson Sextet - J. J. Inc. 1960


Tracks :

Mohawk
Minor Mist
In Walked Horace
Fatback [Short Version]
Aquarius
Shutterbug
Blue ‘N’ Boogie
Turnpike
Fatback [Long Version]

Personnel :
J. J. Johnson - Trombone
Freddie Hubbard - Trumpet
Cedar Walton - Piano
Clifford Jordan - Sax (Tenor)
A’nt Idy Harper - Bass
Albert “Tootie” Heath - Drums


Link
Password : zonadejazz

15 abril 2011

10 trumpets

Louis Armstrong .jpg
Louis Armstrong
Bunk Johnson - Pub Genesys.jpg
Bunk Johnson
Hot Lips Page - Bud Freeman - J. C. Higginbotham - Freddie Moore - Jimmy Ryans - 1947 -William P. Gottlieb.jpg
Hot Lips Page 1947 photo William P. Gottlieb
Ole Brask - Cootie_Williams.jpg
Cootie Williams - photo Ole Brask
Carmell Jones.jpeg
Carmell Jones
Joe Gordon 11.jpg
Joe Gordon
Clifford Brown .jpg
Clifford Brown
Freddie Hubbard.jpg
Freddie Hubbard
dizzy photo Roberto Polillo.jpg
Dizzy Gillespie photo Roberto Polillo
Howard Mcghee photo Roberto Polillo.jpg
Howard Mcghee photo Roberto Polillo

23 fevereiro 2011

Clark Terry, Freddie Hubbard, Dizzy Gillespie, Oscar Peterson - The Alternate Blues - 1980

JAZZ | EAC rip | APE(IMAGE+CUE+LOG) | COVERS | 170Mb
Recorded in March 1980. Run time 48 minutes

25 janeiro 2011

In Memoriam :
 Freddie Hubbard


Zwart wit tekening van Freddie Hubbard gemaakt door Piet Klaasse op 17 juli 1982 tijdens het North Sea Jazz Festival in Den Haag. (Collectie van de auteur).

Desenho a preto e branco de Freddie Hubbard por Piet Klaasse em 17 de julho de 1982 no North Sea Jazz Festival, em Haia. (Coleção do autor)

21 janeiro 2011

Curtis Fuller - Boss Of The Soul Stream Trombone 1960

mp3@192kbps

TRACKLIST

1. The Court (Fuller) - 5:09
2. Flutie (Fuller) - 7:12
3. If I Were a Bell (Loesser) - 9:15
4. Mr. L (Fuller) - 5:04
5. But Beautiful (Burke/VanHeusen) - 5:34
6. Do I Love You? (Porter) - 5:59
7. Chantized (Fuller) - 4:10

LINEUP
Curtis Fuller : Trombone
Freddie Hubbard : Trumpet
Yusef Lateef : Tenor Sax
Walter Bishop : Piano
Buddy Catlett : Bass
Stu Martin : Drums

The Boss Of The Soul Stream Trombone


AMG REVIEW:
An obscure set by trombonist Curtis Fuller that was originally put out by the Warwick label, this otherwise unremarkable set is sparked by the inclusion of the young trumpeter Freddie Hubbard (recently arrived from Indianapolis) and tenor saxophonist Yusef Lateef. With veteran bebopper Walter Bishop on piano and two players from Quincy Jones' big band (bassist Buddy Catlett and drummer Stu Martin), Fuller performs four originals and three standards (including "If I Were a Bell"). Hubbard's fiery statements often steal the show. ?
Scott Yanow


25 dezembro 2010

Freddie Hubbard - Gleam (1975)

Freddie Hubbard - Gleam (1975)
MP3 ~ 320kbps ~ 187mb
Label - CBS/Sony (SOPZ 100~101 - Double LP)


Recorded – Live in The Concert at Yubin Chokin Hall, Tokyo.

Tracks

1. Put It in The Pocket 9:29 (C. Randall, F. Hubbard)
2. Ebony Moonbeams 12:33 (G. Cables)
3. Betcha by Golly Wow 8:49 (L. Creed, T. Bell)
4. Spirits of Trane 9:15 (F. Hubbard)
5. Kuntu 22:22 (F. Hubbard)
6. Midnight at the Oasis 7:23 (D. Nichtern)
7. Too High 16:19 (S. Wonder)

Freddie Hubbard - trumpet, fluegelhorn
Carl Randall Jr. - tenor sax, flute
George Cables - electric piano
Henry Franklin - Fender bass
Carl Burnett - drums
Buck Clark - congas, percussion

Toma :: vai buscar

megaupload

25 novembro 2010

The Trumpet Summit Meets The Oscar Peterson Big Four 1980

Dizzy Gillespie, Freddie Hubbard, Clark Terry, Oscar Peterson, Ray Brown, Joe Pass, Bobby Durham
The Trumpet Summit Meets The Oscar Peterson Big Four 1980
mp3 • 320 kbps • 87.42 MB • total 38:08


01. Daahoud (8:38)
02. Chicken Wings (9:36)
03. Just Friends (11:58)
04. The Champ (7:56)

Oscar Peterson (p)
Dizzy Gillespie (tp)
Freddie Hubbard (tp)
Clark Terry (tp)
Joe Pass (g)
Ray Brown (b)
Bobby Durham (d)

15 julho 2010

Curtis Fuller Soul Trombone 1962

1 The Clan
2 In the Wee Small Hours of the Morning
3 Newdles
4 The Breeze and I
5 Dear Old Stockholm
6 Ladie's Night

Personnel
Curtis Fuller - trombone
Freddie Hubbard - trumpet
Jimmy Heath - tenor saxophone
Cedar Walton - piano
Jymie Merritt - bass
Jimmy Cobb - drums
G.T. Hogan - drums II

recording debut in 1957 and 1961 sessions

Impulse! Records

:: Soul Trombone ::

The Tumpet Summit

The Tumpet summit
Dizzy Gillespie, Freddie Hubbard, Clark Terry
meets
Oscar Peterson Big 4
Ray Brown, Joe Pass, Bobby Durham

In memory of Freddie Hubbard
Mp3 320

1.- Daahoud
2.- Chicken Wings
3.- Just Friends
4.- The Champ

dizzy gillespie, freddie hubbard, clark terry,
oscar peterson, ray brown, joe pass, bobby durham

:: The Tumpet Summit ::

27 junho 2010

Freddie Hubbard - New Colors 2001

Freddie Hubbard - New Colors (2001)
MP3 ~ 192Kbps ~ 85mb

1. One of Another Kind - 7:58
2. Blue Spirits - 9:05
3. Blues For Miles - 6:31
4. Dizzy's Connotations - 8:42
5. True Colors - 5:05
6. Red Clay - 8:19
7. Osie Mae - 6:08
8. Inner Space - 7:45

Freddie Hubbard - Fluegelhorn
David Weiss - Trumpet
Craig Handy - Tenor and Soprano Saxophone
Javon Jackson - Tenor (Track 4)
Myron Walden - Alto Saxophone (Tracks 1,2,5,8)
Ted Nash - Alto Saxophone (tracks 3,4,6,7)
Kenny Garrett - Alto Saxophone (Track 3)
Luis Bonilla - Trombone (tracks 1-7)
Steve Davis - Trombone (track 8)
Chris Karlic - Baritone Saxophone
Xavier Davis - Piano
Dwayne Burno - Bass
Joe Chambers - Drums (tracks 1, 2, 5,8)
Idris Muhammad - Drums (tracks 3,4,6,7)


:: New Colors ::


Jamey Aebersold Vol. 60 Freddie Hubbard

birdlike
little sunflower
coral keys
pensativa
crisis
red clay
dear john
sky dive
gibralter
up jumped spring
lament for booker

:: Audio y pdf ::


Freddie Hubbard - Sky Dive 1972

Freddie Hubbard - Sky Dive (1972)
MP3 ~ 320Kbps ~ RS.com ~ 105mb ~ Cover

1. Povo
2. In A Mist
3. Naturally
4. The Godfather (from "The Godfather")
5. Sky Dive
6. Naturally (previously unreleased, alternate take)

Freddie Hubbard :: trumpet
Alan Rubin, Marvin Stamm :: trumpet, flugelhorn
Wayne Andre, Garnett Brown :: trombone
Paul Faulise :: bass trombone
Tony Price :: tuba
Phil Bodner :: piccolo, flute, alto & bass flutes, bass clarinet
Wally Kane :: piccolo, bass clarinet
Hubert Laws :: flute, alto & bass flutes
George Marge :: flute, alto flute, clarinet, bass clarinet
Romeo Penque :: flute, alto flute, clarinet, oboe, English horn
Keith Jarrett :: acoustic & electric pianos
George Benson :: guitar
Ron Carter :: bass
Billy Cobham :: drums
Ray Barretto, Airto Moreira :: percussion



20 maio 2010

Open Sesame 1960

Freddie Hubbard - Open Sesame - Blue Note Records 1960
MP3 ~ 320Kbps ~ 87mb

1. Open Sesame
2. But Beautiful
3. Gypsy Blue
4. All Or Nothing At All
5. One Mint Julep
6. Hub's Nub

Freddie Hubbard . Trumpet
Tina Brooks . Tenor Sax
McCoy Tyner . Piano
Sam Jones . Bass
Clifford Jarvis . Drums

Blue Note 1960


:: Open Sesame ::

06 maio 2010

Hub-Tones - 1962

Freddie Hubbard - Hub-Tones - Blue Note Records 1962
MP3 ~ 256Kbps ~ 116mb

1. You're My Everything
2. Prophet Jennings
3. Hub-Tones
4. Lament For Booker
5. For Spee's Sake

6. You're My Everything (alternate take, bonus track)
7. Hub-Tones (alternate take, bonus track)
8. For Spee's Sake (alternate take, bonus track)

Freddie Hubbard : trumpet
James Spaulding : alto saxophone, flute
Herbie Hancock : piano
Reggie Workman : bass
Clifford Jarvis : drums

Blue Note 1962

pass: www.warezscene.org