27 janeiro 2011
Ella & Louis Sing Gershwin - Our Love Is Here to Stay (1957-9)
Tracklist
I Got Plenty O' Nuttin'
2. He Loves And She Loves
3. A Woman Is A Sometime Thing
4. They Can't Take That Away From Me
5. Let's Call The Whole Thing Off
6. Strike Up The Band
7. Things Are Looking Up
8. They All Laughed Ell
9. A Foggy Day Ella Fitzgerald
10. How Long Has This Been Going On?
11. Summertime
12. Love Is Here To Stay
13. There's A Boat Dat's Leavin' Soon For New York
14. 'S Wonderful Ella Fitzgerald
15. I Was Doing All Right
16. Oh, Lady Be Good
LINEUP
On tracks 1,3,11,13:
Ella Fitzgerald & Louis Armstrong with Russell Garcia's orchestra
On tracks 2,6,7,14:
Ella Fitzgerald with Nelson Riddle's orchestra
On tracks 4,5,8-10,12,15:
Ella Fitzgerald & Louis Armstrong with Oscar Peterson (p), Herb Ellis (g), Ray Brown (b), Loie Bellson (d)/
Buddy rich on tracks 4,9
On track 16:
Ella Fitzgerald with Roy Eldridge, J.J. Johnson (tb), Sonny Stitt (as), Oscar Peterson (p), Herb Ellis (g),
Ray Brown (b), Jo Jones (d), Stan Getz, Coleman Hawkins, Illinois Jacquet, Flip Phillips, Lester Young (ts),
Link
Etiquetas:
* Discos,
J. J. Johnson,
Louis Armstrong,
Roy Eldridge
25 janeiro 2011
Bennie Green - Back On The Scene (1958)
MP3@320KBPSTRACKLIST
1. I Love You - 6:08
2. Melba's Mood - 5:35
3. Just Friends - 7:03
4. You're Mine, You - 5:18
5. Bennie Plays The Blues - 8:25
6. Green Street - 5:09
Rec.Mar 23, 1958
LINEUP
Bennie Green (trombone)
Charlie Rouse (tenor sax)
Joe Knight (piano)
George Tucker (bass)
Louis Hayes (drums)
download
Blue Mitchell - Vital Blue (1971)
Request by Henryenjoy
MP3@160KBPS
TRACKLIST
1.BOOTY SHAKIN'
2.VITAL BLUE
3.UNSEEN SOUNDS
4.HERMAN'S HELMET
5.I LOVE YOU
6.FOR ALL WE KNOW
LINEUP
Trumpet - Blue Mitchell
Bass - Stan Gilbert
Piano - Walter Bishop, Jr.
Drums - Doug Sides
Flute, Tenor Sax - Joe Henderson
Tenor Sax - Ernie Watts
Vocals - Susaye Greene
Producer - Bob Shad
download
Blue Mitchell - Big Six (1958)
MP3@320KBPSTRACKLIST
1. Blues March
2. Big Six
3. There Will Never Be Another You
4. Brother 'Ball
5. Jamph
6. Sir John
7. Promenade
LINEUP
Blue Mitchell (tp)
Curtis Fuller (tb)
Johnny Griffin (ts)
Wynton Kelly (p)
Wilbur Ware (b)
Philly Joe Jones (d)
download
Bennie Green - Walkin' And Talkin' (1959)
MP3@320KBPS Total Time - 37:28 - release: 2004
Label - Blue Note JPN
TRACKLIST
1. The Shouter - 4:59
2. Green Leaves - 5:41
3. This Love Of Mine - 6:42
4. Walkin' And Talkin' - 8:55
5. All I Do Is Dream Of You - 5:30
6. Hoppin' Johns - 5:26
Rec.January 25, 1959
LINEUP
Bennie Green - trombone,
Eddy Williams - tenor sax,
Gildo Mahones - piano,
George Tucker - bass,
Al Dreares - drums
REVIEW:
All of Bennie Green's Blue Note records were rich with joyously swinging blues and bop, highlighted by his warm, friendly tone and good humor. Walkin' & Talkin', his third record for the label, was no exception to the rule. Leading a quintet that features tenor saxophonist Eddy Williams, pianist Gildo Mahones, bassist George Tucker and drummer Al Dreares, Green keeps things light, swinging and immensely entertaining. Mahones wrote three of the six songs, including the swinging opener "The Shouter" and the Latin-tinged "Green Leaves"; Green contributed the bluesy title track, and the group offers two standards engaging, lightly swinging readings of "This Love of Mine" and "All I Do is Dream of You." The result is no different than Green's two previous Blue Note records, but it's no less satisfying, and fans of swinging bop should be contented with Walkin' & Talkin'.
~ Stephen Thomas Erlewine, All Music Guide
Bix Beiderbecke - Jass Me Blues (1927-8)
Total time 60:54. MP3 @ 128 (59.8 MB)Personnel, recording dates and locations:
-- Trumbology --
-- Singin' The Blues --
Frankie Trumbauer and His Orchestra, N.Y.C., 04 February 1927
Bix Beiderbecke (cornet), Bill Rank (trombone), Frank Trumbauer (c-melody sax), Jimmy Dorsey (clarinet, alto sax), Paul Mertz (piano, arranger),
Howdy Quicksell (banjo, "Trumbology" only), Eddie Lang (guitar, "Singin' The Blues" only), Chauncey Morehouse (drums).
-- Ostrich Walk --
-- Riverboat Shuffle --
Frankie Trumbauer and His Orchestra, N.Y.C., 09 February 1927
Bix Beiderbecke (cornet, arranger), Bill Rank (trombone), Frank Trumbauer (c-melody sax, alto sax), Don Murray (clarinet, tenor sax),
Doc Ryker (alto sax), Irving Riskin (piano), Eddie Lang (guitar), Chauncey Morehouse (drums), Bill Challis (arranger).
-- For No Reason at All in C --
Frankie Trumbauer, Bix Beiderbecke and Eddie Lang, 13 May 1927
TRAM, BIX AND EDDIE (IN THEIR THREE PIECE BAND): Bix Beiderbecke (p, cor), Frank Trumbauer (c-melody), Eddie Lang (g).
-- I'm Coming Virginia --
-- Way Down Yonder in New Orleans --
Frankie Trumbauer and His Orchestra, 13 May 1927
Bix Beiderbecke (cor), Bill Rank (tb), Frank Trumbauer (c-melody), Don Murray (cl, ts, arr), Doc Ryker (as), Irving Riskin (p, arr),
Eddie Lang (g), Chauncey Morehouse (d, harpophone).
-- In A Mist --
Bix Beiderbecke (piano solo), N.Y.C., 08 September 1927
-- Clementine (From New Orleans) --
Jean Goldkette and His Orchestra, 15 September 1927
-- At The Jazz Band Ball --
-- Jazz Me Blues --
-- Royal Garden Blues --
Bix Beiderbecke and His Gang, N.Y.C., 05 October 1927
Bix Beiderbecke (cor), Bill Rank (tb), Don Murray (cl), Frank Signorelli (p), Adrian Rollini (bass sax), Chauncey Morehouse (d).
-- Goose Pimples --
-- Sorry --
-- Since My Best Girl Turned Me Down --
Bix Beiderbecke and His Gang, N.Y.C., 25 October 1927
Bix Beiderbecke (cor), Bill Rank (tb), Don Murray (cl), Frank Signorelli (p), Adrian Rollini (bass sax), Chauncey Morehouse (d), Howdy Quicksell (arr).
-- There'll Come a Time --
Frankie Trumbauer and His Orchestra, N.Y.C., 09 January 1928
Bix Beiderbecke (cor), Bill Rank (tb), Frank Trumbauer (c-melody, as), Jimmy Dorsey (cl, as), Chet Hazlett, Rube Crozier (reeds),
Lennie Hayton (p, cel), Carl Kress (g), Min Leibrook (bass sax), Hal McDonald (d, harpophone), Willard Robison (arr).
-- Mississippi Mud --
Frankie Trumbauer and His Orchestra, N.Y.C., 20 January 1928
Bix Beiderbecke (cor), Charlie Margulis (tp), Bill Rank (tb), Frank Trumbauer (c-melody, as, vcl), Jimmy Dorsey (as), Chet Hazlett (as),
Matty Malneck (vln), Lennie Hayton (p), Carl Kress (g), Min Leibrook (bass sax), Hal McDonald (d), Bing Crosby (vcl).
-- Thou Swell --
Bix Beiderbecke and His Gang, N.Y.C., 17 April 1928
Bix Beiderbecke (cor), Bill Rank (tb), Irving Friedman (cl), Roy Bargy (p), Min Leibrook (bass sax), Hal McDonald (d, harpophone).
-- A Wa Da Da (Everybody's Doin' It Now) --
-- Ol' Man River --
Bix Beiderbecke and His Gang, Chicago, Illinois, 07 July 1928
Bix Beiderbecke (cor), Bill Rank (tb), Irving Friedman (cl), Roy Bargy (p), Min Leibrook (bass sax), Harry Gale (d).
download
Bix Beiderbecke - Bixology
FLAC (98+85 MB) | MP3 320 KBp/s (92 MB) | 41:22 min01 - Tiger rag
02 - Davenport blues
03 - Singin' the blues
04 - Riverboat shuffle
05 - I'm coming Virginia
06 - For no reason at all in C
07 - In a mist
08 - Clementine (from New Orleans)
09 - Jazz me blues
10 - At the Jazz Band ball
11 - Royal Garden blues
12 - Sorry
13 - I'll be a friend with pleasure
14 - Bessie couldn't help it
FLAC
part 1 | part 2
MP3
24 janeiro 2011
Cat Anderson - Ellingtonia (1959)
MP3@320KBPSTRACKLIST
01. Between Some Place, Goin' No Place
02. A Flower Is A Lovesome Thing
03. The Mexican Bandit
04. Lovelinessence
05. Accen'tuate
06. Chelsea Bridge
07. Summertime
08. Like, Dig
LINEUP
Cat Anderson - t
Butter Jackson- tb
Sam Woodyard- d
Ray Nance- vln
Jimmy Woode- b
Leroy Lovett- p
Bud Johnson- ts, fl (only tracks 1, 5, 7 and 8)
Rudy Powell- as, cl (only tracks 2, 3, 4 and 6)
Trumpeter Cat Anderson had one of his infrequent vacations from Duke Ellington's Orchestra to record this rare and decent small-group swing date. The septet has five of Duke's men (including trombonist Quentin Jackson, violinist Ray Nance, bassist Jimmy Woode and drummer Sam Woodyard) joined by pianist Leroy Lovett and either Rudy Powell or Budd Johnson on reeds. Some original jump tunes alternate with Ellington/Strayhorn ballads ("A Flower Is A Lovesome Thing" and "Chelsea Bridge") and, although nothing too unpredictable occurs, the music should please swing and Ellington collectors.
Ellingtonia
23 janeiro 2011
The Brass Family
The trumpet is a musical instrument with the highest register in the brass family.The trumpet is used in many forms of music, including classical music and jazz. Trumpets have three piston valves. Each of these change the length of tubing when the player blows into it. There are lots of trumpet techniques: flutter tonguing, growling, double tonguing, triple tonguing, doodle tongue, glissando, vibrato, pedal tone, etc. They are made of brass tubs bent twice making an oblong shape, and are played by blowing air through closed lips.The Brass family by Noah
The trombone is a musical instrument in the brass family. It is a lip-reed aerophone instrument. The trombone is characterised by having a slide with which the player changes the length of the tube to change the pitch. A person who plays the trombone is called a trombonist. The parts of the trombones are: tuning slide, counterweight, mouthpiece, slide lock ring, bell, knob, water key, main slide, second slide brace, first slide brace and connector nut.
The French horn is a brass instrument. Horns have three valves, wich are pressed with the left hand, they are pressed to change t
he pitch. A musician who plays the horn is called a horn player. The horn is the second highest sounding instrument group in the brass family. The horn is most often used as an orchestral instrument. The French horn has a spiral shape.There are differents horns: like the double horn, the Vienna horn, the hunting horn, the French Omnitonic horn, the natural horn at the Victoria, the Mozart era natural horn, etc.The tuba is the largest and lowest pitched brass instrument. Its sound is produced by vibrating the lips into a large mouthpiece. The tuba is used in jazz. Tubas have four to five valves. There are four types of tubas: the bass tuba, contrabass tuba, tenor tuba and the subcontrabass tuba. It is the principal bass instrument in symphonic and military bands. It serves as the bass of the brass section and of brass quintets and choir.
05/16/09
Noah de Fortuny
Noah de Fortuny
Conte Candoli – The Five (1955)
MP3@64KBPS (if you have better bitrate send me the link please)
Recorded in Los Angeles, March 9, 1955
TRACKLIST
1.whistle while you work
2.perkin’
3.beyond the sea
4.i dig ed
5.lullaby of the leaves
6.forelock
7.soft as spring
8.just for judie
9.if i love again
10.red eyes
11.pushin’ sand
12.i’ll be in scotland after you
LINEUP
Bill Perkins ~ Tenor Sax
Conte Candoli ~ Trumpet
Pete Jolly ~ Piano
Buddy Clark ~ Bass
Mel Lewis ~ Drums
REVIEW
This excellent album (a reissue LP of music deserving to be reissued on CD) is really led by Shorty Rogers, who provided the dozen arrangements and five originals, although he does not play trumpet on the date. Featuring a quintet of fine West Coast players (including pianist Pete Jolly at the beginning of his career), Rogers’ charts really set the mood for the set of cool jazz. Trumpeter Conte Candoli and tenor saxophonist Bill Perkins (heard at his coolest, tone-wise) take plenty of fine solos, while bassist Buddy Clark and drummer Mel Lewis are lightly swinging in support. This is a near-classic that has somehow remained obscure through the years, perhaps due to the group’s name.
by Scott Yanow
:: The Five ::
Thks to Raz Jazz Is My Life :-)
Bill Russo - A Recital Of New American Music (1951)
mp3@320 kb/s : ~ 25 min : 58,31TRACKLIST
01. An Esthete On Clark Street (2:58)
02. Sposin’ (2:18)
03. Cathy (2:40)
04. Cookie (2:39)
05. Ennui (3:36)
06. Gloomy Sunday (3:19)
07. Vignette (3:07)
08. Strange Fruit (2:48)
09. I Can’t Get Started (3:02)
10. My Man (2:35)
LINEUPS
tracks #1/2 THE BILL RUSSO ENSEMBLE
Gail Brockman (tp), Bill Russo (trb), Bill Porter (trb), Chris Leuba (frh),
Ralph Meltzer (frh), Clyde Bachand (tuba), Dom Carone (as), Kenny Mann (ts), Dan Handby (bs), Chicago, August 15, 1951
tracks #3/7 BILL RUSSO QUINTET
Bill Russo (trb), Kenny Mann (ts), Lloyd Lifton (p), Max Wayne (b), Mickey Simonetta (dr)
Chicago, August 15, 1951
tracks #5/8 BILL RUSSO ORCHESTRA
Gail Brockman (tp), Bill Russo (trb), Chris Leuba (frh), Ralph Macciocchi (frh), Leon Mendelshon (frh), Ralph Meltzer (frh), Clyde Bachand (tuba), Martin Lerner (fl), Larry Molinelli (fl); Robert Mayer (oboe), Wilbur Simpson (bosson), Dom Carone (as), Kenny Mann (ts), Dan Handby (bs),
Lloyd Lifton (p), Bob Leshner (g), Max Wayne (b), Mickey Simonetta (dr). Shelby Davis (voc #6&8)
Chicago, August 15, 1951
tracks #9/10 SHELBY DAVIS
Lloyd Lifton (p), Bob Leshner (g), Max Wayne (b), Mickey Simonetta (dr), Shelby Davis (voc)
Chicago, August 15, 1951
REVIEW:
In the late Forties trombonist and composer Bill Russo, a young and prominent disciple of Lennie Tristano, was already leading his own experimental studio bands in Chicago. He always composed with a concern for jazz, and did much in the field of advanced orchestral writing, finally rising to fame when successful bandleader Stan Kenton hired him in early 1950. He became one of Kenton’s most brilliant orchestra arrangers, but decided to return to his hometown in 1955 to continue writing and conducting. He proved to be an extraordinarily well-informed individual in diverse areas, with the felicitously stimulating personality of one who is always an intellectual but never an intellectual snob. He worked in the jazz and classical fields and, in his opinion, a good symphony musician could play really swinging jazz if it was properly written. And he brought a much needed insistence on integrity to the music. This CD compiles the most important of his early works, including The World of Alcina, a ballet score in five dances which Russo defined as “a piece written in terms of my background in jazz.” ~ Absolute Distribution
:: A Recital Of New American Music ::
Bill Russo - The World Of Alicia (1955-6)
mp3@320 kbps : ~ 37 min : 53,49TRACKLIST
1. Under The Greenwood Tree (2:32)
2. The First Saturday In May (2:54)
3. Speculum (2:50)
4. Bill’s Blues(3:29)
5. L’affaire Bugs (2:29)
6. For My Sister(2:59)
7. First Dance. Solo Of Girl (3:28)
8. Second Dance. Solo Of Boy (2:48)
9. Third Dance. Chorus And Solo Of Girl (3:18)
10. Fourth Dance. Duet For Boy And Girl (4:30)
11. Fifth Dance. Chorus, Solo Of Boy, Solo Of Girl, Ensemble (4:17)
LINEUPS
tracks #1/3 BILL RUSSO SEPTET
Bill Russo (v trb), BiII Porter (trb), Bill Trujillo (ts), Sandy Mosse (ts), Eddie Baker (p), Israel Crosby (b), Mickey Simonetta (dr)
Chicago, Apri/ 18, 1955
tracks #4/6 BILL RUSSO QUINTET
Bill Russo (v trb), Bil Trujillo (ts), Eddie Baker (p), Israel Crosby (b), Mickey Simonetta (dr)
Chicago, Apri/ 19, 1955
tracks #7/11 BILL RUSSO ORCHESTRA
Conducted by Bill Russo. Johnny Howell (tp), Al Mueller (tp), Porky Panico (tp), Dom Geraci (tp), Davo Mulholland (tp), Tommy Shepard (trb), Paul Grumbaugh (trb), Paul Severson (trb), Marc McDunn (trb), Earl Hoffman (trb), Phillip Farkas (frh), , Frank Brouk (frh), Don Hagner (tuba), Ronnie Kolher (reeds), Lennie Druss (reeds), Hobart Grimes (reeds), Vito Price (reeds), Mike Simpson (reeds), Gus Jean (reeds), Phil Wing (reeds), Ken Soderbiom (reeds), Eddie Baker (p), Mel Schmidt (b), Fari Bakus (g), Mickey Simonetta (dr)
REVIEW:
In the late Forties trombonist and composer Bill Russo, a young and prominent disciple of Lennie Tristano, was already leading his own experimental studio bands in Chicago. He always composed with a concern for jazz, and did much in the field of advanced orchestral writing, finally rising to fame when successful bandleader Stan Kenton hired him in early 1950. He became one of Kenton’s most brilliant orchestra arrangers, but decided to return to his hometown in 1955 to continue writing and conducting. He proved to be an extraordinarily well-informed individual in diverse areas, with the felicitously stimulating personality of one who is always an intellectual but never an intellectual snob. He worked in the jazz and classical fields and, in his opinion, a good symphony musician could play really swinging jazz if it was properly written. And he brought a much needed insistence on integrity to the music.
:: The World Of Alicia ::
22 janeiro 2011
Chris Barber – Barber’s Best (1954-5)
Flac (LP) : 69mb
TRACKLIST
01 Bobby Shaftoe
02 Merrydown Rag
03 It’s Tight Like That
04 The World is Waiting for the Sunrise
LINEUP
Pat Halcox – cornet
Chris Barber – trombone
Jim Bray – tuba, bass
Monty Sunshine – clarinet
Lonnie Donegan – banjo
Ron Bowden – drums
REVIEW
Many people in the UK were first introduced to jazz through the music of Chris Barber (I was one) who has now been playing and leading various groups for over 55 years. Chris played, and still does to a large extent, what came to be known as Traditional Jazz and it had a huge following in the 1950s although over the years he broadened his musical style and played on a regular basis with such ‘modernists’ as Joe Harriott. Here in recordings from 1954 and 1955 with his regular group the band plays typical music from that period. Lonnie Donegan, who played banjo for a while with Barber, went on to have a successful musical career in the pop/folk world and was one of the leaders in introducing the ‘skiffle’ sound to the UK. One of his forgettable hits was ‘My Old Man’s A Dustman’
Decca ep DFE 6382
:: Barber’s Best ::
Thanks to Raz Jazz Is My Life :-)
Etiquetas:
* Discos,
Chris Barber,
Pat Halcox
21 janeiro 2011
Jamey Aebersold : Vol. 76 How To Learn Tunes
Curtis Fuller - Boss Of The Soul Stream Trombone 1960
mp3@192kbpsTRACKLIST
1. The Court (Fuller) - 5:09
2. Flutie (Fuller) - 7:12
3. If I Were a Bell (Loesser) - 9:15
4. Mr. L (Fuller) - 5:04
5. But Beautiful (Burke/VanHeusen) - 5:34
6. Do I Love You? (Porter) - 5:59
7. Chantized (Fuller) - 4:10
LINEUP
Curtis Fuller : Trombone
Freddie Hubbard : Trumpet
Yusef Lateef : Tenor Sax
Walter Bishop : Piano
Buddy Catlett : Bass
Stu Martin : Drums
The Boss Of The Soul Stream Trombone
AMG REVIEW:
An obscure set by trombonist Curtis Fuller that was originally put out by the Warwick label, this otherwise unremarkable set is sparked by the inclusion of the young trumpeter Freddie Hubbard (recently arrived from Indianapolis) and tenor saxophonist Yusef Lateef. With veteran bebopper Walter Bishop on piano and two players from Quincy Jones' big band (bassist Buddy Catlett and drummer Stu Martin), Fuller performs four originals and three standards (including "If I Were a Bell"). Hubbard's fiery statements often steal the show. ?
Scott Yanow
Scott Yanow
Etiquetas:
* Discos,
Curtis Fuller,
Freddie Hubbard
19 janeiro 2011
Valery Ponomarev - A Star For You (1997)
MP3@320KBPSTRACKLIST
1. Commandments From a Higher Authority
2. First Draft
3. Dance Intoxicant
4. Star For You, A
5. Uh Oh
6. We'll Be Together Again
7. Blue For Elena
LINEUP
Valery Ponomarev : Trumpet
Bob Berg : tenor saxophonist
Sid Simmons : piano
Ken Walker : bass
Billy Hart : drums
download
AMG REVIEW:
Review by Scott Yanow
Valeri Ponomarev, one of the most underrated trumpeters in jazz, has a style based in the hard bop tradition of Clifford Brown, Lee Morgan and Freddie Hubbard, yet he keeps an open mind toward newer developments. On this CD, he is teamed with tenor saxophonist Bob Berg (whose soulful post-bop style has long been influenced by Michael Brecker), the little-known but talented Philadelphia-based pianist Sid Simmons, bassist Ken Walker, and drummer Billy Hart. The quintet performs six of the trumpeter's tricky yet swinging originals and a reharmonized rendition of "We'll Be Together Again." Ponomarev's very impressive range (hitting high notes with little difficulty), full sound and inventive ideas clearly inspire his sidemen. Berg puts plenty of passion into his solos, and Simmons makes one wish that he were recorded more extensively. Easily recommended to modern straight-ahead jazz collectors.
Review by Scott Yanow
Valeri Ponomarev, one of the most underrated trumpeters in jazz, has a style based in the hard bop tradition of Clifford Brown, Lee Morgan and Freddie Hubbard, yet he keeps an open mind toward newer developments. On this CD, he is teamed with tenor saxophonist Bob Berg (whose soulful post-bop style has long been influenced by Michael Brecker), the little-known but talented Philadelphia-based pianist Sid Simmons, bassist Ken Walker, and drummer Billy Hart. The quintet performs six of the trumpeter's tricky yet swinging originals and a reharmonized rendition of "We'll Be Together Again." Ponomarev's very impressive range (hitting high notes with little difficulty), full sound and inventive ideas clearly inspire his sidemen. Berg puts plenty of passion into his solos, and Simmons makes one wish that he were recorded more extensively. Easily recommended to modern straight-ahead jazz collectors.
Valery Ponomarev - Beyond The Obvious (2006)
MP3@320KBPSTRACKLIST
1. You Dig, I Hear You, You Know What I Mean, etc.
2. Close Your Eyes
3. Party Time
4. The Blessing
5. From Cat to Nat
6. Sale on Love
7. Chelsea Bridge
8. Gina's Cooking
LINEUP
Valery Ponomarev ~ trumpet
Don Braden ~ saxophone
Martin Zenker ~ upright bass
Jerome Jennings ~ drums
download
REVIEW
Russian expatriate Valery Ponomarev has been an impressive trumpeter from the time he arrived in the U.S. after fleeing his homeland. This 2005 session pairs him with several younger musicians, including seasoned tenor saxophonist Don Braden, bassist Martin Zenker, and Juilliard student Jerome Jennings, who the leader compares favorably with veteran drummers. With Braden stuck in traffic, Ponomarev improvised a blues to warm up with the others and ended up with the peppy opener "You Dig, I Hear You, You Know What I Mean, Etc." The trumpeter makes use of the full range of his instrument in his expressive solo, also trading licks with Jennings. The blend of trumpet and tenor sax in Lee Morgan's slinky "Party Time" gives the piece a bit of an eerie flavor. His arrangement of "Chelsea Bridge" has more of a mournful air than the typical bittersweet setting of this landmark Billy Strayhorn composition. Ornette Coleman's "The Blessing" proves very accessible and features some great interplay and a bit of arco bass by Zenker. Ponomarev's Latin-tinged "Sale on Love," a barely disguised reworking of Cole Porter's "Love for Sale," is a harmonically rich extended performance. The lack of a pianist is never a problem, as the musicians filled in the missing chords in their heads as they played their hearts out throughout this rewarding studio date.
Jack Teagarden - Mis'ry And The Blues (1961)
MP3@320KBPSJack Teagarden (vocals, trombone)
Don Goldie (trumpet)
Don Ewell (piano)
Shay Torrent (organ)
Stan Puls (bass)
Barrett Deems (drums)
01. Don't Tell A Man About His Woman [0:02:57]
02. Basin Street Blues [0:05:11]
03. Froggie Moore Blues [0:02:53]
04. I Don't Want To Miss Mississippi [0:04:18]
05. It's All In Your Mind [0:04:34]
06. Mis'ry And The Blues [0:05:22]
07. Dixieland One-Step [0:05:00]
08. Love Lies [0:03:26]
09. Afternoon In August [0:03:25]
10. Peaceful Valley [0:02:44]
Recorded in Chicago Illinois in June 1961.
download
Etiquetas:
* Discos,
Don Goldie,
Jack Teagarden
The Dual Role Of Bob Brookmeyer (1954)
MP3@128KBPS1 Rocky Scotch
2 Under The Lilacs
3 They Say It's Wonderful
4 Potrezebie
5 Revelation
6 Star Eyes
7 Nobody's Heart
8 Loup-Garou
Bobby Brookmeyer : Valve Trombone, Piano
Jimmy Raney : Guitar
Teddy Charles : Vibraphone
Teddy Kotick : Bass
Mel Lewis : Drums
Link
15 janeiro 2011
Johnny Coles - The Warm Sound (1961)
TRACKLIST
1. ROOM 3
2. WHERE
3. COME RAIN OR COME SHINE
4. HI FLY
5. PRETTY STRANGE
6. IF I SHOULD LOOSE YOU
LINEUP
Johnny Coles, tp; flg.
Kenny Drew, p;
Peck Morrison, b;
Charlie Persip, dr.
download
REVIEW
Trumpeter Johnny Coles, best-known for his association with Charles Mingus in 1964, made his recording debut as a leader on this Epic session which was reissued on CD in 1995 by Koch. A bop-based trumpeter with a lyrical sound of his own, Coles is showcased here with an excellent quartet (Kenny Drew or Randy Weston on piano, bassist Peck Morrison and drummer Charlie Persip). He is in top form on a pair of standards (including "If I Should Lose You"), his own blues "Room 3" and four Weston originals; the reissue adds an alternate take of "Hi-Fly" to the original program. A fine outing.
~ Scott Yanow
Bill Watrous & Danny Stiles - One More Time (1976)
Format: mp4TRACKLIST
1 . GROOVIN' WITH SWEET FACE
2 . STARDUST
3 . TANGERINE
4 . I CAN'T GET STARTED
5 . BAIRDS BIG BAD BLUES MARCH
6 . IT'S YOU OR NO ONE
7 . YOU NUT
LINEUP
Danny Stiles : Trumpet
Bill Watrous : Trombone
Derek Smith : Piano
Milt Hinton : Bass
Mousey Alexander : Drums
NYC, 1976
Famous Door Records
download
contributed by King2b
thank you :-)
Etiquetas:
* Discos,
Bill Watrous,
Danny Stiles
Conrad Herwig - Another Kind Of Blue (2004)
TRACKLIST
1 So What Davis 9:43
2 Freddie Freeloader Davis 10:29
3 Blue in Green Davis 8:10
4 All Blues Davis 8:17
5 Flamenco Sketches Davis 9:51
6 Petits Machins Davis 7:40
LINEUP
Conrad Herwig : Trombone
Brian Lynch : Trumpet
Mario Rivera : Baritone Sax
Dave Valentin : Flute
Paquito D'Rivera : Alto Sax, Clarinet
Edsel Gomez : Piano
John Benitiz : Bass
Robby Ameen : Drums
Richie Flores : Percussion
part 1 - part 2
Biography by Chris Kelsey
Conrad Herwig is one of New York's more prominent young progressive/mainstream trombonists. He has recorded and/or performed with a number of famous leaders, including, but not limited to, Joe Henderson, Jack DeJohnette, and Paquito D'Rivera. Herwig is an alumni of the famous University of North Texas jazz program, an experience that obviously prepared him well as a big band player. He began his professional career in the early '80s with Clark Terry's big band; stints with Buddy Rich, Toshiko Akiyoshi, Mel Lewis, and others were to follow. Herwig became an increasingly in-demand sideman in the '90s. He is an accomplished pedagogue, having taught clinics and workshops around the world. Herwig is on the faculty at William Patterson College in New Jersey. His seventh album as a leader, The Latin Side of John Coltrane, emphasizes an affinity for South American idioms. Criss Cross followed in 1998 and a year later, Herwig resurfaced with Osteology. Unseen Universe followed in fall 2000.
Review by Scott Yanow
Trombonist Conrad Herwig, who had previously recorded The Latin Side of John Coltrane, is at it again. Another Kind of Blue has versions of the five songs from Miles Davis' Kind of Blue ("So What," "Freddie Freeloader," "Blue in Green," "All Blues," and "Flamenco Sketches") plus "Petits Machins" performed by a Latin jazz nonet. The results are quite enjoyable and, with the exception of the repertoire and a couple orchestrated sections for the ensemble (the introduction of "So What" by Bill Evans and Paul Chambers, and Davis' trumpet solo on "Freddie Freeloader"), the music has little connection to the original Kind of Blue with Miles Davis, John Coltrane, and Cannonball Adderley. Instead, the transformation serves as a good excuse for the all-star group to romp and come up with fresh ideas. Herwig, trumpeter Brian Lynch, baritonist Mario Rivera, and flutist Dave Valentin have their moments, but Paquito D'Rivera on alto and clarinet constantly steals solo honors; he is too exciting to be denied. The horns are inspired by a blazing rhythm section consisting of pianist Edsel Gomez, bassist John Benitiz, drummer Robby Ameen, and percussionist Richie Flores. It is particularly interesting hearing such unlikely material as "Blue in Green" and "Flamenco Sketches" turned into Afro-Cuban jazz. Another Kind of Blue is quite successful on its own terms and well worth picking up.
Biography by Chris Kelsey
Conrad Herwig is one of New York's more prominent young progressive/mainstream trombonists. He has recorded and/or performed with a number of famous leaders, including, but not limited to, Joe Henderson, Jack DeJohnette, and Paquito D'Rivera. Herwig is an alumni of the famous University of North Texas jazz program, an experience that obviously prepared him well as a big band player. He began his professional career in the early '80s with Clark Terry's big band; stints with Buddy Rich, Toshiko Akiyoshi, Mel Lewis, and others were to follow. Herwig became an increasingly in-demand sideman in the '90s. He is an accomplished pedagogue, having taught clinics and workshops around the world. Herwig is on the faculty at William Patterson College in New Jersey. His seventh album as a leader, The Latin Side of John Coltrane, emphasizes an affinity for South American idioms. Criss Cross followed in 1998 and a year later, Herwig resurfaced with Osteology. Unseen Universe followed in fall 2000.
Review by Scott Yanow
Trombonist Conrad Herwig, who had previously recorded The Latin Side of John Coltrane, is at it again. Another Kind of Blue has versions of the five songs from Miles Davis' Kind of Blue ("So What," "Freddie Freeloader," "Blue in Green," "All Blues," and "Flamenco Sketches") plus "Petits Machins" performed by a Latin jazz nonet. The results are quite enjoyable and, with the exception of the repertoire and a couple orchestrated sections for the ensemble (the introduction of "So What" by Bill Evans and Paul Chambers, and Davis' trumpet solo on "Freddie Freeloader"), the music has little connection to the original Kind of Blue with Miles Davis, John Coltrane, and Cannonball Adderley. Instead, the transformation serves as a good excuse for the all-star group to romp and come up with fresh ideas. Herwig, trumpeter Brian Lynch, baritonist Mario Rivera, and flutist Dave Valentin have their moments, but Paquito D'Rivera on alto and clarinet constantly steals solo honors; he is too exciting to be denied. The horns are inspired by a blazing rhythm section consisting of pianist Edsel Gomez, bassist John Benitiz, drummer Robby Ameen, and percussionist Richie Flores. It is particularly interesting hearing such unlikely material as "Blue in Green" and "Flamenco Sketches" turned into Afro-Cuban jazz. Another Kind of Blue is quite successful on its own terms and well worth picking up.
Hal Galper-Terumasa Hino - Now Hear This 1977 (2008 release)
mp3@320kbpsrecorded in 1977
Enja
TRACKLIST:
1. Now Hear This
2. Shadow Waltz
3. Red Eye Special
4. First Song in the Day
5. Mr. Fixit
6. Bemsha Swing
7. First Song in the Day [#][*][Take]
LINEUP:
Hal Galper : Piano
Terumasa Hino : Trumpet
Cecil McBee : Bass
Tony Williams : Drums
Link
Terence Blanchard - The Billie Holiday Songbook (1994)
MP3@320KBPSTRACKLIST:
01. Detour Ahead [04:37]
Performed by: Jeanie Bryson
02. Nice Work If You Can Get It [04:40]
Performed by: Jeanie Bryson
03. In My Solitude [03:42]
04. What A Little Moonlight Can Do [04:02]
Performed by: Jeanie Bryson
05. Good Morning Heartache [04:42]
06. I Cried For You [03:46]
07. Don't Explain [04:16]
08. Fine and Mellow [04:43]
Performed by: Jeanie Bryson
09. I Cover The Waterfront [04:38]
10. Left Alone [08:06]
11. Strange Fruit [03:52]
Performed by: Jeanie Bryson
12. Lady Sings The Blues [06:10]
LINEUP:
Terence Blanchard: Trumpet
Jeanie Bryson: Guest Vocalist
Bruce Barth: Piano
Troy Davis: Drums
Chris Thomas: Bass
REVIEW:
Trumpeter Terence Blanchard's tribute to Billie Holiday is a rather melancholy and often downbeat affair. Sounding less original than usual (he displays a strong Wynton Marsalis influence and also hints at times at both Miles Davis and Thad Jones), there is little joy to these renditions of Lady Day material other than the second half of "I Cried for You." The trumpeter's arrangements for the unswinging string section is occasionally oppressive, sometimes border on muzak and tends to weigh down the music. The only bright spot are the five fine vocals by Jeanie Bryson, who wisely does not try to sound like Holiday and comes across quite well. Otherwise this is a disappointing outing.
~ Review by Scott Yanow ~
Link
Etiquetas:
* Discos,
Terence Blanchard
Terence Blanchard & Ivan Lins - The Heart Speaks (1996)
MP3@256KBPSTRACKLIST:
1 Aparecida 6:01
2 Antes Que Seja Tarde 5:30
3 Meu Pais (My Country) 3:57
4 Valsa Mineira 4:53
5 The Heart Speaks 5:28
6 Congada Blues 5:36
7 Nocturna 5:25
8 Just For Nana 5:04
9 Orizimbo And Rosicler 4:30
10 Choros Das Aguas 7:28
11 Love Dance / Comecar De Novo 4:24
12 Menino 4:49
13 Aparecida Reprise 1:04
LINEUP:
Bass - David Pulphus (tracks: 1 to 10, 12, 13)
Cello - David Bohanovich (tracks: 2) , Fred Zlotkin (tracks: 8, 10)
Drums - Troy Davis (2) (tracks: 1 to 7, 9, 10, 12, 13)
Guitar - Oscar Castro-Neves (tracks: 1 to 3, 9, 13)
Mastered By - Vlado Meller
Percussion - Paulinho Da Costa (tracks: 1 to 4, 6, 9, 12, 13)
Piano - Edward Simon (tracks: 1, 2, 4 to 10, 12, 13)
Trumpet, Arranged By [Cello] - Terence Blanchard
Vocals - Ivan Lins (tracks: 1 to 4, 6, 8, 9, 11 to 13)
Written-By - G. Peranzetta* (tracks: 11) , I. Lins* , M. Tapajos* (tracks: 1, 13) , P. Williams* (tracks: 11) , V. Martins* (tracks: 2, 3, 6, 7, 9, 10, 12)
Recorded Augst 28-31, 1995, at Conway Studios, Studio C, Hollywood, CA. Mixed September 15-17, 1995, at Sony Studios, West 54th Street, New York, NY. Mastered by Vlado Meller, September 20, 1995, at Sony Studios, West 54th Street, New York, NY.
Link
Etiquetas:
* Discos,
Terence Blanchard
11 janeiro 2011
Is Ripping CDs Ripping Off Artists?
06 janeiro 2011
Dizzy Gillespie - Jambo Caribe (1964)
Personal:
Dizzy Gillespie (Trumpet and Vocals)
James Moody (Tenor Saxophone, Flute and Backing Vocals)
Kenny Barron (Piano and Double Bass)
Chris White (Double Bass, Guitar and Backing Vocals)
Rudy Collins (Drums)
Kansas Fields (Percussion)
Ann Henry (Backing Vocals) - 7
Tracks:
1. Fiesta MoJo (Dizzy Gillespie) 3:53
2. Barbados Carnival (Chris White) 3:00
3. Jambo (Dizzy Gillespie) 5:01
4. Trinidad, Hello (Kenny Barron) 4:24
5. Poor Joe (Joe Willoughby) 2:41
6. And Then She Stopped (Dizzy Gillespie) 3:20
7. Don't Try to Keep up With the Joneses (Joe Willoughby) 2:39
8. Trinidad, Goodbye (Kenny Barron) 8:25
download
Dizzy Gillespie (Trumpet and Vocals)
James Moody (Tenor Saxophone, Flute and Backing Vocals)
Kenny Barron (Piano and Double Bass)
Chris White (Double Bass, Guitar and Backing Vocals)
Rudy Collins (Drums)
Kansas Fields (Percussion)
Ann Henry (Backing Vocals) - 7
Tracks:
1. Fiesta MoJo (Dizzy Gillespie) 3:53
2. Barbados Carnival (Chris White) 3:00
3. Jambo (Dizzy Gillespie) 5:01
4. Trinidad, Hello (Kenny Barron) 4:24
5. Poor Joe (Joe Willoughby) 2:41
6. And Then She Stopped (Dizzy Gillespie) 3:20
7. Don't Try to Keep up With the Joneses (Joe Willoughby) 2:39
8. Trinidad, Goodbye (Kenny Barron) 8:25
download
Dizzy Gillespie - Sweet Soul [Live] (1969)
Track Listings:
Slew Foot
Soul Mama
Azure Blue
Sweet Stuff
Dirty Dude
Party Man
Get to That
Soul Time
Getting Down
Rutabaga Pie
- Sweet Soul, Live -
Slew Foot
Soul Mama
Azure Blue
Sweet Stuff
Dirty Dude
Party Man
Get to That
Soul Time
Getting Down
Rutabaga Pie
- Sweet Soul, Live -
Etiquetas:
* Discos,
Dizzy Gillespie
01 janeiro 2011
Bunk Johnson

Willie Gary "Bunk" Johnson
(ca. 1879 or 1889 – July 7, 1949)
was a prominent early New Orleans jazz trumpet player in the early years of the 20th century who enjoyed a revived career in the 1940s.
wikipedia
Bunk Johnson 1944

Bunk Johnson – trumpet
George Lewis – cl arinet
Jim Robinson – trombone
Lawrence Marrero – banjo
“Slow Drag” Alcide Pavageau – b ass
Baby Dodds – dr ums
Sidney Brown – tuba (on track 9)
Rec. in New Orleans, 1944
1. Tiger Rag, Pt. 2 4:38
2. We Will Walk Through the Streets [#2] 3:58
3. Sister Kate [#2][#] 4:02
4. Lord, Lord, You Sure Are Good to Me [#2] 4:07
5. Darktown Strutters' Ball [#1] 4:26
6. When You Wore a Tulip 4:33
7. Careless Love, No. 3 4:10
8. There's Yes! Yes! In Your Eyes 4:25
9. My Life Will Be Sweeter Someday 4:16
10. Shake It and Break It [#4] 4:40
11. Panama [#3] 4:42
12. Alabama Bound 3:48
13. High Society 2:40
14. Ballin' the Jack [#2] 3:56
15. When the Saints Go Marching In [#2] 3:57
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Thanks to JazzCrisis
George Lewis – cl arinet
Jim Robinson – trombone
Lawrence Marrero – banjo
“Slow Drag” Alcide Pavageau – b ass
Baby Dodds – dr ums
Sidney Brown – tuba (on track 9)
Rec. in New Orleans, 1944
1. Tiger Rag, Pt. 2 4:38
2. We Will Walk Through the Streets [#2] 3:58
3. Sister Kate [#2][#] 4:02
4. Lord, Lord, You Sure Are Good to Me [#2] 4:07
5. Darktown Strutters' Ball [#1] 4:26
6. When You Wore a Tulip 4:33
7. Careless Love, No. 3 4:10
8. There's Yes! Yes! In Your Eyes 4:25
9. My Life Will Be Sweeter Someday 4:16
10. Shake It and Break It [#4] 4:40
11. Panama [#3] 4:42
12. Alabama Bound 3:48
13. High Society 2:40
14. Ballin' the Jack [#2] 3:56
15. When the Saints Go Marching In [#2] 3:57
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Thanks to JazzCrisis
Bunk Johnson – The King Of The Blues (1944)

Bunk Johnson – tr
umpet
George Lewis – cl arinet
Jim Robinson – trombone
Baby Dodds – dr ums
Lawrence Marrero – banjo
“Slow Drag” Alcide Pavageau – bass
feat.
Sidney “Jim Little” Brown – tuba (on Tracks 2 & 8 only)
Rec. July and August 1944
1. C. C Rider 3:54
2. Low Down Blues 4:39
3. St. Louis Blues 4:14
4. Blue as I Can Be 4:03
5. Dippermouth Blues 3:51
6. Midnight Blues 9:25
7. Weary Blues 4:43
8. New Iberia Blues 4:21
9. Careless Love 4:43
10. How Long Blues 3:59
11. Royal Garden Blues 4:01
12. Tishomingo Blues 4:56
13. C. C Rider Blues 4:17
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PASS : jazzcrisis
Thanks to JazzCrisis
George Lewis – cl arinet
Jim Robinson – trombone
Baby Dodds – dr ums
Lawrence Marrero – banjo
“Slow Drag” Alcide Pavageau – bass
feat.
Sidney “Jim Little” Brown – tuba (on Tracks 2 & 8 only)
Rec. July and August 1944
1. C. C Rider 3:54
2. Low Down Blues 4:39
3. St. Louis Blues 4:14
4. Blue as I Can Be 4:03
5. Dippermouth Blues 3:51
6. Midnight Blues 9:25
7. Weary Blues 4:43
8. New Iberia Blues 4:21
9. Careless Love 4:43
10. How Long Blues 3:59
11. Royal Garden Blues 4:01
12. Tishomingo Blues 4:56
13. C. C Rider Blues 4:17
4shared
PASS : jazzcrisis
Thanks to JazzCrisis
Dizzy Gillespie - Perceptions (1961)
Audio CD (September 23, 1997)Original Release Date: May 22, 1961
Label: Polygram Records
mp3 @ 320 kbps
Sword of Orion
Jubelo
Blue Mist
Fantasia
Horn of Plenty
Ballade
Personnel
Trumpets
Dizzy Gillespie , Bernie Glow, Robert Nagel , Ernie Royal , Doc Severinsen , Nick Travis, Joe Wilder
Trombones
Urbie Green, Jimmy Knepper , Paul Faulise , Dick Hixson
French Horns
John Barrows, Jimmy Buffington, Paul Ingraham, Robert Northern
Tuba
Harvey Phillips, Bill Stanley
Harmonica
Gloria Agostini, Laura Newell
George Duvivier (bass) Charli Persip (drums) Michael Colgrass (percussion)
Etiquetas:
* Discos,
Dizzy Gillespie,
Jimmy Knepper,
Urbie Green
Dizzy Gillespie, Sonny Stitt & Sonny Rollins - Sonny Side Up (1957)
Sonny Side UpDizzy Gillespie, Sonny Stitt & Sonny Rollins
(Verve)
Dizzy Gillespie (Trumpet, Vocals)
Sonny Stitt (TenorSax)
Sonny Rollins (TenorSax)
Ray Bryant (Piano)
Tommy Bryant (Bass)
Charlie Persip (Drums)
Recording in New York City, Dec 19th, 1957
1 - On the Sunny Side of the Street Fields, McHugh 5:41
2 - The Eternal Triangle Stitt 14:10
3 - After Hours Hawkins, Parrish 12:19
4 - I Know That You Know Caldwell, Youmans 5:27
mp3 @ 320 kbps
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Lee Morgan - Search For The New Land 1964
Lee Morgan - Search For The New Land (1964) {2003 Rudy Van Gelder Remaster}1- MP3|320KBPS|100MB
2- FLAC+CUE+LOG -> 275 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb
© 2003 Blue Note | 7243 5 80910 2 1
Lee Morgan (trumpet)
Wayne Shorter (tenor saxophone)
Herbie Hancock (piano); Grant Green (guitar)
Reginald Workman (bass)
Billy Higgins (drums)
1. Search For The New Land (15:45)
2. The Joker (5:04)
3. Mr. Kenyatta (8:43)
4. Melancholee (6:14)
5. Morgan The Pirate (6:31)
Total Time: 42:13
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on February 15, 1964
Label: Blue Note
Lee Morgan - Standards (1967)
1. This Is The Life
2. God Bless The Child
3. Blue Gardenia
4. A Lot Of Livin' To Do
5. Somewhere
6. If I Were A Carpenter
7. Blue Gardenia - (alternate take)
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on January 13, 1967.
Personnel:
Lee Morgan (trumpet)
James Spaulding (alto saxophone, flute)
Wayne Shorter (tenor saxophone)
Pepper Adams (baritone saxophone)
Herbie Hancock (piano)
Ron Carter (bass)
Mickey Roker (drums)
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2. God Bless The Child
3. Blue Gardenia
4. A Lot Of Livin' To Do
5. Somewhere
6. If I Were A Carpenter
7. Blue Gardenia - (alternate take)
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on January 13, 1967.
Personnel:
Lee Morgan (trumpet)
James Spaulding (alto saxophone, flute)
Wayne Shorter (tenor saxophone)
Pepper Adams (baritone saxophone)
Herbie Hancock (piano)
Ron Carter (bass)
Mickey Roker (drums)
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“The Sidewinder”
Lee Morgan’s case proves how fatal love can really be. The popular hard bop trumpeter was shot by his common-law wife on February 19, 1972, after an argument between sets while performing at Slugs’, a jazz club in New York City’s East Village. Morgan was shot in the heart and died instantly. He was 33 years old.
Introducing Lee Morgan with Hank Mobley's Quintet (1956)

EAC rip (secure mode) | FLAC+CUE+LOG -> 159 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 300 dpi (png) -> 11 Mb
© 1991 Nippon Japan / Savoy | SV-0116
Personnel
Lee Morgan (trumpet)
Hank Mobley (tenor saxophone)
Hank Jones (piano)
Doug Watkins (bass)
Art Taylor (drums)
1. Hank's Shout
2. Nostalgia
3. Bet
4. Softly As In A Morning Sunrise
5. P.S. I Love You
6. Easy Living
7. That's All
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