31 março 2011
30 março 2011
Louis Armstrong - What A Wonderful World
01. What A Wonderful World (2:15)
02. Cabaret (2:43)
03. The Home Fire (3:14)
04. Dream A Little Dream Of Me (3:14)
05. Give Me Your Kisses (1:55)
06. The Sunshine Of Love (2:50)
07. Hello Brother (3:28)
08. There Must Be A Way (3:05)
09. Fantastic, That's You (2:55)
10. I Guess I'll Take The Papers And Go Home (2:44)
11. Hellzapoppin' (2:33)
Link
~~~~
Please Say Thanks
02. Cabaret (2:43)
03. The Home Fire (3:14)
04. Dream A Little Dream Of Me (3:14)
05. Give Me Your Kisses (1:55)
06. The Sunshine Of Love (2:50)
07. Hello Brother (3:28)
08. There Must Be A Way (3:05)
09. Fantastic, That's You (2:55)
10. I Guess I'll Take The Papers And Go Home (2:44)
11. Hellzapoppin' (2:33)
Link
~~~~
Please Say Thanks
What A Wonderful World
What A Wonderful World
by Bob Thiele / George David Weiss / Robert Thiele Jr.
I see trees of green, red roses too
I see them bloom for me and you
And I think to myself, what a wonderful world
I see skies so blue and clouds of white
The bright blessed day, the dark sacred night
And I think to myself, what a wonderful world
The colors of the rainbow, so pretty in the sky
Are also on the faces of people going by
I see friends shaking hands, saying, "how do you do?"
They're really saying, "I love you"
I hear babies cry, I watch them grow
They'll learn much more, than I'll never know
And I think to myself, what a wonderful world
Yes, I think to myself, what a wonderful world
mp3 at megaupload // rapidshare
Louis Armstrong meets Oscar Peterson 1957
Verve Records – 1957
01 - That Old Feeling
02 - Let´s Fall In Love
03 - I´ll Never Be The Same
04 - Blues In The Night (My Mama Done Tol´Me)
05- How Long Has This Been Going On
06 - I Was Doing All Right
07 - What´s New
08 - Moon Song
09 - Just One Of Those Things
10 - There´s No You
11 - You Go To My Head
12 - Sweet Lorraine
13 - I Get a Kick Out Of You
14 - Makin´ Whoopee
15 - Willow Weep For Me
16 - Let´s Do It ( Let´s Fall In Love)
Download
01 - That Old Feeling
02 - Let´s Fall In Love
03 - I´ll Never Be The Same
04 - Blues In The Night (My Mama Done Tol´Me)
05- How Long Has This Been Going On
06 - I Was Doing All Right
07 - What´s New
08 - Moon Song
09 - Just One Of Those Things
10 - There´s No You
11 - You Go To My Head
12 - Sweet Lorraine
13 - I Get a Kick Out Of You
14 - Makin´ Whoopee
15 - Willow Weep For Me
16 - Let´s Do It ( Let´s Fall In Love)
Download
Thanks to Gaspar Minha Vitrola Virtual
We Have All The Time In The World
We Have All The Time In The World
Louis Armstrong
Time enough for life to unfold
All the precious things love has in store
We have all the love in the world
If that's all we have, you will find
We need nothing more
Every step of the way will find us
With the cares of the world far behind us
We have all the time in the world
Just for love
Nothing more, nothing less
Only love
Every step of the way will find us
With the cares of the world far behind us
We have all the time in the world
Just for love
Nothing more, nothing less
Only love
Only Love
(Hal David/John Barry)
download mp3
29 março 2011
20 março 2011
The Trumpet Summit - Tribute To Fats Navarro, Clifford Brown and Booker Little Live At The Club Ruby (1968)
MP3@320KBPS
The Trumpet Summit - Tribute To Fats Navrro, Clifford Brown and Booker Little
Live At The Club Ruby in May 22, 1968
The Trumpet Summit - Tribute To Fats Navrro, Clifford Brown and Booker Little
Live At The Club Ruby in May 22, 1968
LINEUP:
Kenny Dorham, Woody Shaw, Bill Hardman, Blue Mitchell, Richard Williams and Walter Kelly - Trumpets
Lonnie Smith - Piano
Peck Morrrison - Bass
Walter Perkins - Drums
1) Bags Groove 15:02
Solos: Dorham,Hardman,Williams
2) What’s New 19:23
Solos: Shaw, Kelly, Mitchell
3) Confirmation 16:58
Solos: Dorahm, Hardman, Williams
4) Blues 10:00
Solos: Shaw, Kelly, Dorham, Mitchell, Hardman -f ade
5) Sweet Clifford 19:50
Solos: Shaw, Hardman, Williams, Dorham, Mitchell
Fresh Sound FSR CD 382
This album is hard-bop heaven for trumpeters. Billed as a tribute to Fats Navarro, Clifford Brown and Booker Little, it features Woody Shaw, Kenny Dorham, Bill Hardman, Blue Mitchell, Richard Williams and the little-known Walter Kelly. The presence of so much concentrated brass firepower naturally brings out the competitive spirit. Shaw—23 at the time—dazzles with explosive pentatonics. His work on an uptempo version of “What’s New” answers the song’s title with a conception that would eventually solidify his place as an innovator. Dorham, on “Bags Groove” and “Confirmation,” shows off his mastery of bop’s harmonic language. You can hear how he had influenced Shaw at the time.
Mitchell takes a more lyrical, controlled approach to the proceedings and scores via contrast.
Hardman and Williams—lesser lights in the hierarchy—acquit themselves well in the contest. Kelly, more erratic, nevertheless holds his ground. The rhythm section—pianist Lonnie Liston Smith, bassist Peck Morrison and drummer Walter Perkins—is spirited and aggressive (especially Perkins on the nearly 20-minute “Sweet Clifford”). I wonder if such a tribute were held today, who would be called and whether the results.
Link
Thanks to Raz
Etiquetas:
* Discos,
Blue Mitchell,
Booker Little,
Clifford Brown,
Fats Navarro,
Kenny Dorham,
Woody Shaw
19 março 2011
Bill Harris - Complete Fifties Sessions (2006)
Bill Harris - Complete Fifties Sessions (2CD) (2006)
EAC rip | FLAC (tracks + .cue, log-file) | Full artwork | Length: 60:42 + 61:03 | Rar 3% rec. | 538 MB
Label: Lone Hill Jazz 10252
EAC rip | FLAC (tracks + .cue, log-file) | Full artwork | Length: 60:42 + 61:03 | Rar 3% rec. | 538 MB
Label: Lone Hill Jazz 10252
DISC 1
1 . It Might as Well Be Spring (Hammerstein, Rodgers) 6:24
2 . Crazy Rhythm (Caesar, Kahn, Meyer) 4:54
3 . Where Are You? (Adamson, McHugh) 5:31
4 . Just One More Chance (Coslow, Johnston) 2:29
5 . I Surrender Dear (Barris, Clifford) 7:59
6 . I'm Getting Sentimental Over You (Bassman, Washington) 4:24
7 . In a Mellow Town (Duke, Ellington) 9:37
8 . Apple Honey (Herman) 5:02
9 . Everywhere (Harris) 3:36
10 . Your Father's Moustache (Harris, Herman) 4:04
11 . Laura (Mercer, Raksin) 3:44
12 . Woodchopper's Ball (Bishop, Herman) 2:53
DISC 2
1 . Lemon Drop (Wallington) 7:41
2 . Early Autumn (Burns) 3:41
3 . Blue Flame (Bishop, Corday, Noble) 8:51
4 . Bill Not Phil (Harris) 2:45
5 . You're Blash (Civier, Hamilton) 2:35
6 . D'Anjou (Burns) 3:10
7 . Imagination (Burke, VanHeusen) 3:07
8 . Blackstrap (Harris) 2:41
9 . Poogerini (Harris) 2:35
10 . Bijou (Burns) 3:33
11 . Gloomy Sunday (Javor, Lewis, Seres) 3:32
12 . C-Jam Blues (Ellington) 3:00
13 . Jive at Five (Basie, Edison) 3:05
14 . Tutti-Frutti (Fischer, Gaillard) 3:15
15 . Sue Loves Mabel (Harris) 2:46
16 . Introspection (Burns) 4:41
Fileserve : 1 - 2 - 3
Filesonic : 1 - 2 - 3
Peter Evans Quartet - Live in Lisbon (2010)
1 . Introduction
2 . All
3 . Interlude 1
4 . Latticework
5 . Palimpsest
6 . Interlude 2
7 . What
8 . Interlude 3
9 . For ICP
Peter Evans : trumpet
Ricardo Gallo : piano
Tom Blancarte : double bass
Kevin Shea : drums
Recorded August 8 at the Jazz em Agosto Festival.
Clean Feed
Recorded at the Jazz em Agosto Festival in 2009, Live in Lisbon proposes another way to deal with the old American standards. Instead of passively reproducing the song formats, trumpeter extraordinaire Peter Evans uses its compositional elements as "found materials". And yes, there's some analogies with the visual artist Marcel Duchamp's "ready mades". Those elements can be the tempos, the harmonies, the melodic phrases, but taken apart, deconstructed and gathered in different patterns, in order to enhance improvisation and to liberate choices during the performative process.
For instance, "All The Things You Are" by Jerome Kern, "Lush Life" by Billy Strayhorn", "Duke Ellington's Sound of Love" by Charles Mingus, and "What Is This Thing Called Love" by Cole Porter are subjected to this procedure. In consequence, each piece functions like a puzzle being assembled moment by moment - you can recognize the inner materials or not, but they're always present in some form. This is not an attempt to turn simple things complex, but to achieve a looser approach in the context of the centuries old equation between written (by historic masters) and spontaneous collective composition (with contributions from Ricardo Gallo, Tom Blancarte, and Kevin Shea). In his liner notes, Evans says it all: "It is great fun to see what elements of surprise we can squeeze out of something that, on its surface, may seem very familiar." In truth, simplicity is the name of the game here played, and it emerges in various levels, from the most intriguing to the unexpected. ~ Clean Feed
MP3
@ fileserve
@ sendspace
Lossless @ fileserve 1 - 2 - 3
2 . All
3 . Interlude 1
4 . Latticework
5 . Palimpsest
6 . Interlude 2
7 . What
8 . Interlude 3
9 . For ICP
Peter Evans : trumpet
Ricardo Gallo : piano
Tom Blancarte : double bass
Kevin Shea : drums
Recorded August 8 at the Jazz em Agosto Festival.
Clean Feed
Recorded at the Jazz em Agosto Festival in 2009, Live in Lisbon proposes another way to deal with the old American standards. Instead of passively reproducing the song formats, trumpeter extraordinaire Peter Evans uses its compositional elements as "found materials". And yes, there's some analogies with the visual artist Marcel Duchamp's "ready mades". Those elements can be the tempos, the harmonies, the melodic phrases, but taken apart, deconstructed and gathered in different patterns, in order to enhance improvisation and to liberate choices during the performative process.
For instance, "All The Things You Are" by Jerome Kern, "Lush Life" by Billy Strayhorn", "Duke Ellington's Sound of Love" by Charles Mingus, and "What Is This Thing Called Love" by Cole Porter are subjected to this procedure. In consequence, each piece functions like a puzzle being assembled moment by moment - you can recognize the inner materials or not, but they're always present in some form. This is not an attempt to turn simple things complex, but to achieve a looser approach in the context of the centuries old equation between written (by historic masters) and spontaneous collective composition (with contributions from Ricardo Gallo, Tom Blancarte, and Kevin Shea). In his liner notes, Evans says it all: "It is great fun to see what elements of surprise we can squeeze out of something that, on its surface, may seem very familiar." In truth, simplicity is the name of the game here played, and it emerges in various levels, from the most intriguing to the unexpected. ~ Clean Feed
MP3
@ fileserve
@ sendspace
Lossless @ fileserve 1 - 2 - 3
13 março 2011
Donald Byrd Quintet at the Olympia '58
Donald Byrd Quintet
Complete Live at the Olympia
1958
Recorded at "L'Olympia", Paris ; October 22, 1958 [# Cd. 1 & Cd. 2 #1-4]
& "Au Chat qui Pêche", Paris ; October 29, 1958 [bonus]
Donald Byrd trumpet
Bobby Jaspar tenor saxophone & flute [out on *]
Walter Davis Jr. piano
Doug Watkins bass
Art Taylor drums
Cd 1
1 . Dear Old Stockholm (traditional) 12:24
2 . Paul's Pal (Rollins) 12:22
3 . Flute Blues (Jaspar) 7:11
4 . Ray's Idea (Brown) 7:26
5 . The Blues Walk (Brown) 8:07
6 . Salt Peanuts #1 (Gillespie, Clarke) 2:07
7 . Parisian Thoroughfare (Powell) 9:04
8 . Stardust (Carmichael, Parish) 3:18
9 . 52nd Street Theme (Monk) 6:39
10 . Formidable (Davis Jr.) 9:14
Cd 2
1 . At this Time (Byrd) 9:40
2 . Two Bass Hit (Gillespie, Lewis) 3:40
3 . Salt Peanuts #2 (Gillespie, Clarke) 2:02
4 . More of the Same (Traditional) 6:42
Bonus tracks
5 . Parisian Thoroughfare (Powell) 17:28
6 . At this Time* (Byrd) 7:02
7 . 52nd Street Theme* (Monk) 6:50
8 . All the Things You Are (Kern, Hammerstein II) 11:29
9 . It Might as Well Be Spring* (Rodgers, Hammerstein II) 6:32
10 . My Funny Valentine* (Rodgers, Hart) 5:51
part 1 - part 2
Artwork
PW : melanchthon
Thanks to Melanchthon
10 março 2011
Donald Byrd Blows on Beacon Hill 1956
Donald Byrde trumpet
Ray Santisi piano
Doug Watkins bass
Jimmy Zitano drums
1. Little Rock Getaway (Sullivan) 7:04
2. Polka Dots and Moonbeams (Burke-Van Heusen) 7:20
3. People Will Say We're in Love (Rodgers-Hammerstein II) 3:39
4. If I Love Again (Oakland-Murray) 4:40
5. What's New (Haggart-Burke) 5:02
6. Stella by Starlight (Young-Washington) 3:43
Recorded: Detroit, May 7, 1956
03 março 2011
Bob Brookmeyer - Kansas City Revisited 1958
Bob Brookmeyer : trombone
Al Cohn : tenor saxophone
Paul Quinichette : tenor saxophone
Nat Pierce : piano
Jim Hall : guitar
Addison Farmer : bass
Osie Johnson : drums
Clarence "Big" Miller : vocals (2 & 5)
01 . Jumping At The Woodside (Basie) 8:00
02 . A Blues (Miller) 8:05
03 . Blue & Sentimental (Basie, Livingstone, David) 6:52
04 . Doggin' Around (Battle, Evans) 8:40
05 . Travelin' Light (Young, Mundy, Mercer) 3:33
06 . Moten Swing (Moten, Moten) 10:10
Recorded at Olmstead Sudios, New York, on October 23, 1958
MP3/320Kbps/101Mb/cover/
rapidshare
Bob Brookmeyer with Jim Hall and Jimmy Raney - The Street Swingers 1957
Tracks
1 . Arrowhead (Hall) 7:03
2 . Street Swingers (Brookmeyer) 6:22
3 . Hot Buttered Noodling (Raney) 6:05
4 . Musicale du Jour (Brookmeyer) 8:48
5 . Raney Day (Hall) 5:25
6 . Jupiter (Raney) 5:05
Personnel
Bob Brookmeyer - trombone
Jim Hall - guitar
Jimmy Raney - guitar
Bill Crow - bass
Osie Johnson - drums
Recorded at Coastal Studios, New York City on December 13 & 16, 1957
flac, with complete Lp's artwork
rapidshare
Valve trombonist Bob Brookmeyer (who also plays some piano on this long out-of-print Pacific Jazz LP) teams up with guitarists Jim Hall and Jimmy Raney, bassist Bill Crow and drummer Osie Johnson for six group originals. The tunes are fairly basic and all of the cool-toned musicians are up-to-par on the lightly swinging material
Kai Winding & J. J. Johnson - Nuf Said 1955
Tracks
1 . Out of This World** (Arlen, Mercer) 2:20
2 . Thou Swell* (Hart, Rodgers) 2:55
3 . Lover** (Hart, Rodgers) 5:34
4 . Lope City* (Johnson) 3:32
5 . Stolen Bass** (Johnson) 2:56
6 . It's All Right With Me* (Porter) 5:06
7 . Mad About the Boy** (Coward) 3:32
8 . Yes Sir, That's My Baby** (Donaldson, Kahn) 4:06
9 . That's How I Feel About You** (Winding) 3:59
10 . Going Rock** (Winding) 3:25
11 . It's All Right With Me* [Alternate Take 15] (Porter) 5:31
12 . Lover** [Alternate Take 13] (Hart, Rodgers) 5:39
13 . Going Rock** [Alternate Take I] (Winding) 3:25
14 . Lope City* [Alternate Take 2] (Johnson) 3:42
15 . It's All Right With Me* [Take II] (Porter) 6:24
16 . Out of This World** [Alternate 8] (Arlen, Mercer) 2:28
17 . That's How I Feel About You** [Alternate 7] (Winding) 4:08
Personnel
Kai Winding - trombone
J. J. Johnson - trombone
Dick Katz - piano
Al Harewood - drums
Milt Hinton** - bass
Wendell Marshall* - bass
[#2, 4, 6, 11, 14 & 15] Los Angeles, CA, January 26, 1955*.
[#1, 3, 5, 7, 8-10, 12, 13, 16, 17] NYC, January 27, 1955**.
ape, with complete artwork
rapidshare
Etiquetas:
* Discos,
J. J. Johnson,
Kai Winding
02 março 2011
Art Farmer Quartet Live At The Half Note 1963
Tracks
1 . Stompin' at the Savoy (Goodman, Razaf, Sampson, Webb) 12:27
2 . Swing Spring (Davis) 5:51
3 . What's New ? (Burke, Haggart) 4:24
4 . I Want to Be Happy (Caesar, Youmans) 9:41
5 . I'm Getting Sentimental over You (Bassman, Washington) 5:03
Personnel
Art Farmer - trumpet
Jim Hall - guitar
Steve Swallow - bass
Walter Perkins - drums
Recorded live at the Half-Note, New York, NY on December 5, 6 & 7, 1963
flac, with complete artwork
part 1 - part 2
1 . Stompin' at the Savoy (Goodman, Razaf, Sampson, Webb) 12:27
2 . Swing Spring (Davis) 5:51
3 . What's New ? (Burke, Haggart) 4:24
4 . I Want to Be Happy (Caesar, Youmans) 9:41
5 . I'm Getting Sentimental over You (Bassman, Washington) 5:03
Personnel
Art Farmer - trumpet
Jim Hall - guitar
Steve Swallow - bass
Walter Perkins - drums
Recorded live at the Half-Note, New York, NY on December 5, 6 & 7, 1963
flac, with complete artwork
part 1 - part 2
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